The limited edition Super Deluxe Edition 4-CD, 1-DVD, and audiophile 180-gram 7-LP box set holds 88 tracks – 64 songs plus 24 videos, with 13 recordings previously unreleased overall – from all stages of Chris’ career including Soundgarden, Temple of the Dog, Audioslave and his solo works. The package includes the 66-page hardcover photo book wrapped in linen with red foil signature, 3 artist lithos, 3 photochromatic lithos inspired by Cornell’s lyrical fascination about the sun, a vinyl turntable mat, a microfiber vinyl cleaning cloth, liner notes, and a 36x48-inch wall poster.
CD: $149.98 PRE ORDER
The 2015 Hemispheres album remaster is available on CD for the first time along with previously unreleased and newly restored bonus content consisting of the band’s 1979 Pinkpop festival performance. Includes 3, 180g LPs mirroring the 2 CDs. The Blu-Ray disc features the album newly mixed from the original multi-tracks in 5.1 surround sound along with 4 bonus videos. Also includes a 40-page hard cover book with unreleased photos and new artwork by Hugh Syme, an extensive essay by Rob Bowman, a 1979 tour replica program, a wall poster, a Pinkpop Festival replica ticket and VIP pass, and a replica 1978 “Rush” Hemispheres iron-on patch.
Vinyl: $99.98 PRE ORDER
In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.
On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.
“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.
This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.
“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”
Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.
Semisonic’s 1998 hit album, Feeling Strangely Fine, is celebrating its 20th Anniversary this year! Featuring the #1 Billboard Modern Rock Track “Closing Time” and globally charting “Secret Smile”, this unique collector’s edition contains rare b-sides from the album recording sessions. This album is available on 180-gram double vinyl black wax and limited-edition gold vinyl.
Sarah Brightman returns with her new studio album, HYMN, reuniting with long time producer and collaborator Frank Peterson, with whom she created chart topping albums such as Timeless (Time To Say Goodbye), Eden, La Luna, Harem, Symphony, and A Winter Symphony. HYMN is an inspirational collection of orchestrated, choir-based songs. Brightman, kept thinking about the word, HYMN, and to her it suggested joy a feeling of hope and light, something that is familiar and secure. For Brightman, every project comes from an emotional place, and HYMN is no exception. HYMN was recorded over the past two years in Hamburg, Miami, London, Vancouver, Los Angeles, New York, and Budapest, and encompasses songs by such modern composers as Eric Whitacre (Fly To Paradise), Japanese superstar musician and songwriter Yoshiki (Miracle), and German DJ Paul Kalkbrenner (Sky and Sand). HYMN's mystical, uplifting tone is set with its title track a song by British prog-rock band Barclay James Harvest. From there, the album becomes excitingly eclectic, encompassing many styles. Sogni, described as a mash-up of two arias from two different operas by French composer Georges Bizet, is flawlessly sung by Brightman and French tenor Vincent Niclo. Also included are Canto Per Noi, written by famed Italian composer Ennio Morricone and Romano Musumarra, and Follow Me, the love theme from the 1962 film Mutiny on the Bounty. Finally, the album closes with a new rendition of Brightman s signature smash duet with Andrea Bocelli, Time To Say Goodbye, in a new solo rendition with lyrics Sarah wrote herself, and sung in English for the first time.
CD: $27.98 PRE ORDER
Since the early 90s Sweden’s Opeth have stretched the boundaries of heavy music. From the progressive death metal the band began with on classics like “Orchid” and “My Arms, Your Hearse” to the records like “Blackwater Park” and the band’s recent record, 2016’s “Sorceress”, Opeth has continually invited their growing audience along with them as they grew into the musically respected band they are today. Filmed and recorded in 2017 at Red Rocks Amphitheatre outside of Denver, “Garden of the Titans (Opeth Live at Red Rocks Amphitheatre)” is a 2-CD/BLU-RAY + DVD release (along with several vinyl color formats) consisting of tracks spanning the band’s nearly 30 year career.
Grammy-nominated vocalist Jessie J to release new holiday This Christmas Day via Lava Records / Republic Records on 10/26. The album will include her previously released holiday track “Man With The Bag” in addition to holiday classics “Let It Snow,” “Santa Claus Is Comin’ to Town,” and “Jingle Bell Rock”. The album features production by David Foster. Jessie J will embark on her first US headlining tour this October.
Oh Pep! have returned with their second full-length that takes their alt-folk to a whole new level of delicious pop. Chock full of memorable hooks, sing-along moments I Wasn't Only Thinking About You…, proves itself as a career-defining feat. The band gets its Oh from Olivia 'Liv' Hally (vocals, guitar) and its Pep! from Pepita Emmerichs (violin, mandolin), who met at secondary school in Victoria. Their harmonies are sweet, with lyrics that are thoughtful, deep, funny and poetic.
Andrea Bocelli has teamed up with some of the hottest musical stars on the planet for his forthcoming album Si reuniting with his friend Ed Sheeran after their chart-topping Perfect Symphony on a brand new song called Amo Soltanto Te (written by Ed with lyrics by Tiziano Ferro) and joining with pop sensation Dua Lipa on the single If Only . Crossover superstar Josh Groban and classical soprano Aida Garifullina also duet with Bocelli on the record, which is released on Sugar/Decca on 26th October. It is his first album of new material in 14 years 16 brand new songs which celebrate love, family, faith and hope. At the centre of the new record is a spine-tingling duet between father-and-son, as 20 year-old Matteo Bocelli steps into the limelight to duet with Andrea on Fall On Me a beautifully poignant song which reflects the bond between parent and child. It will appear in the end credits of the hotly-anticipated new Disney film, The Nutcracker and The Four Realms, starring Keira Knightley, Mackenzie Foy, Helen Mirren and Morgan Freeman, to be released on 2nd November. Andrea explains how his voice compares with Matteo's: Technically they are very different, but there is one thing that makes them most similar: the attitude. That characteristic way of expressing yourself through your voice. This makes Matteo and I very similar. But that is something that you cannot learn, that cannot be taught. That is something you are born with.
Modern Rock N’ Roll band Greta Van Fleet to release highly anticipated new album, Anthem Of The Peaceful Army, on 10/19 via Lava Records. Album includes current single “When The Curtain Falls,” which is approaching top 5 airplay at Active Rock radio and is building at Alternative radio. They will re-launch their nearly sold out headlining tour on 9/11 in Canada. Greta Van Fleet recently set a record as the first band in 15 years to hit #1 airplay at Active Rock radio with 2 consecutive singles!
Transforming pain into transcendence is the genius of many pop artists, but Doe Paoro brings an entirely new depth to that process. On her third album Soft Power, the L.A.-based singer/songwriter digs into her own frustration and anguish, and ultimately comes away with a newfound strength that’s profoundly inspiring. Soft Power thus bears a raw vitality that marks a major departure from Doe’s previous album. Naming Carole King among her inspirations, Doe notes that the new record’s more urgent feel comes partly from reconnecting with the instinctive approach of her earliest songwriting. Throughout the album, Doe infuses her songs with a rebellious spirit. A passionately charged track about misogyny, “Guilty” blends cascading guitar lines with sharply cutting lyrics (I know I’m not the first / that you made defend her word). “Over” brings classic girl-group harmonies and smoldering vocal work to speak to the song’s central question: Now that I’m older / does it get easier / to get over? Several songs also confront the notion of setting boundaries, with “Projector” centering on “the refusal to let someone else superimpose their story onto yours” and “Walk Through the Fire” emerging as a brutal testament to the fact that “self-examination is ultimately a solo job – and there’s no easy way to do it”. The result is an album that’s undeniably potent in its emotional impact. “One thing I’ve continued to find through writing songs is the ability to alchemize painful experiences into something that’s useful and healing”, says Doe. “For me that’s the highest purpose of music—both in terms of what it offers to me and what I wish to offer to others”. - PRODUCED IN LONDON WITH JIMMY HOGARTH (AMY WINEHOUSE, SIA, CORINNE BAILEY RAE) - SOFT POWER IS THE THIRD ALBUM BY DOE PAORO - FOR FANS OF FLORENCE AND THE MACHINE, ST. VINCENT AND SKY FERREIRA
Summer Salt is an Austin, Texas- based rock band of best pals. Self- deemed “coral reef rock ,” Summer Salt delivers a retro blend of bossa nova and 60’s pop with a modern twist. They create the perfect soundtrack for chillaxin’ by the pool. Band mates Matt Terry (vocals and guitar), Phil Baier (bass), and Eugene Chung (drums), and MJ Tirabassi (formerly The Walters), have self- released 3 EP’s and have gained a cult following through touring and a strong online presence.
Stay Out Late is ultimately, the end result of understanding who we are, and more importantly, who we are not.
This will be our 15th year as a band, and our 5th record overall. In the years preceding the making of this record, we all had to define what it meant for us to be happy making music. There are certain mechanisms and tropes we all fall into as a result. And as hard as we may try to emulate what we consider to be higher art, or rather, classic music; we always end up with a Buxton record.
Sergio couldn't write for almost 2 years after 'Half A Native'. The answers to "why" had run dry. We all saw each other, hung out and everything was like normal. I can't really pinpoint the moment it all made sense again. The question had suddenly changed to "why not" and we were back in the studio making demos. There was a lurking sense that nobody would ever hear these songs, and that lead to a sort of creativity I'm not sure we'd really experienced before. All ideas were on the table, and more importantly they stayed on the table.
There are a handful of truly great masterpieces and the attempt of achieving that is one of the most daunting and exhausting pursuits any artist can take on. In the van we're constantly educating ourselves and finding new and in many cases old points of inspiration. Whether it be Mark Hollis, HC McEntire, Mickey Newbury or rediscovering the genius of Bette Midler, we find ourselves at the mercy of our own limitations of expression. Yet somehow in our most vulnerable project, we're simultaneously the most comfortable in our skin as we've ever been.
The core of this record is about being in it for the long haul, looking back, and being able to accept it all. We can only hope that the listener can in some way share and make tangible the joy that went into making this record.
Live From the Ryman was primarily recorded during the group's six sold out nights at Nashville's legendary Ryman Auditorium in 2017. The album features 13 live versions of songs from their last three critically acclaimed, award-winning studio albums - Southeasten (2013), Something More Than Free (2015), The Nashville Sound (2017).
State of Euphoria is the fourth studio album by the American thrash metal band Anthrax. It was released on September 19, 1988 through Megaforce/Island Records. The album was produced by Anthrax and Mark Dodson, with Alex Perialas engineering and reached No. 30 on the Billboard 200 chart in late 1988. The songs "Who Cares Wins", dealing with the plight of the homeless, and "Antisocial" were released as singles with accompanying music videos. For the 30th Anniversary, UMe is releasing the album newly remastered by the bands long time drummer Charlie Benante and featuring previously unreleased outtakes from the bands own archive and rare demos on 2 LPs
Vinyl: $24.98 PRE ORDER
25th anniversary reissue of The Cranberries’ debut album that has sold over 5,000,000 in the US and over 600,000 in the UK. They were one of the biggest bands of the nineties and this album includes their global hits “Linger” and “Dreams”. The album has been remastered at Abbey Road (under the supervision of the band’s Noel Hogan) and is now available on vinyl.
With their electrifying 5th album now on the brink of its release, Amaranthe take another leap in their sonic evolution. Their most focused work to date, HELIX proves the band has refined their melodic sensibilities ever further whilst retooling their cutting-edge metal assault to be as massively aggressive as ever.
Armed with a dozen pop metal anthems to die and an album with unprecedented crossover potential, Amaranthe is ready to tear down the age-old walls separating metal and mainstream.
North Carolinian duo Beta Radio's Ancient Transition - their debut on Nettwerk Records - captures the band's signature blend of organic sounds, delicate synths, and disarmingly beautiful harmonies. The album is a reflection on home and its many different meanings, the wholeness that comes with having a sense of home and the tumult that can come with lacking one.
The Eclipse Sessions, John Hiatt’s newest album, offers up his strongest set of songs in years. Long celebrated as a skilled storyteller and keen observer of life’s twists and turns, Hiatt can get at the heart of a knotty emotion or a moment in time with just a sharp, incisive lyric or witty turn of phrase. The 11 tracks presented in The Eclipse Sessions, from the breezy opener “Cry to Me,” to the stark “Nothing in My Heart,” the lost-love lamentation “Aces Up Your Sleeve” to the rollicking “Poor Imitation of God,” demonstrate that the singer-songwriter, now 66, is only getting better with age, his guitar playing more rugged and rootsy, his words wiser and more wry.
Hiatt goes all in with The Eclipse Sessions. There’s a grit to these songs—a craggy, perfectly-imperfect quality that colors every aspect of the performances, right down to Hiatt’s vocals, which are quite possibly his most raw and expressive to date. “They ain’t pretty, that’s for sure,” he says about the creaks and cracks that punctuate his phrases in songs like “Poor Imitation of God” and “One Stiff Breeze.” “But I don’t mind a bit. All the catches and the glitches and the gruffness, that sounds right to me. That sounds like who I am.” The Eclipse Sessions is the sound of an artist not only living in but also capturing the moment.
Thirty years ago, Edie Brickell and New Bohemians exploded out of Dallas and became an international sensation with their double-platinum debut album, Shooting Rubberbands at the Stars, featuring the Top Ten hit, “What I Am.” Now, the group returns with Rocket, their first new music in a dozen years—and as the title indicates, they remain a propulsive and unclassifiable force, a whirlwind of musical ideas and styles. Rocket is set for release on October 12 via Verve Forecast.
It's been a couple of years since we heard from Justin Courtney Pierre. When we last left off, his celebrated rock band Motion City Soundtrack decided to take a hiatus following a victory lap in support of their sixth album, Panic Stations. This culminated with a Riot Fest performance and a sold-out, career-spanning show at The Metro in Chicago in September of 2016. In reality, what he's been doing lately hasn't been terribly exciting bio fodder: He's been in Minneapolis, mowing the lawn, cultivating tomatoes, taking care of his daughter and figuring out who he is if he isn't the guy fronting Motion City Soundtrack. “I guess the jumping off point for this album was that I wanted to see if I could just write everything myself and perform as much of it as I could,” Pierre says of the impetus for his first solo album, In The Drink. When it came to recording the songs, it made perfect sense to enlist longtime collaborator and Motion City Soundtrack guitarist Josh Cain to produce In The Drink. “Working with Josh on this album was super fun because we have been working together for 20 years and basically share a brain. But it didn't have the same dynamic of Motion City Soundtrack in the sense that at the end of the day I got to call all the shots,” Pierre says. Musically, In The Drink sees Pierre evoking his usual influences like Pavement, Superchunk, The Flaming Lips, Jawbox, Fugazi, Sonic Youth, Dinosaur Jr., Nirvana, more Jawbox, Tom Waits, The Carpenters and Eddie Money, but through his own unique perspective and sung via his instantly recognizable tenor. From the quirky, anthemic pop of “Anchor” or “I Don't Know Why She Ran Away” to more moody, darker material such as “Moonbeam” (which features guest vocals from Jenny Owen Youngs) and the experimental closer “Goodnight Hiroyuki,” the album is Pierre at his most unfiltered and the results are sublime (even if it sounds nothing like Sublime).
Following a short hiatus ATREYU returned firing on all cylinders with Long Live during 2015. It crashed the Top 30 of the Billboard Top 200 and earned widespread acclaim. The band sold out countless headline shows in addition to sharing the stage with everyone from Slipknot to Linkin Park. After a 2 year tour cycle for Long Live, Atreyu regrouped in Southern California for what would become offering number seven, reuniting with producer John Feldmann who famously helmed Lead Sails Paper Anchor
Tom Morello is living proof of the transformative power of rock’n’roll. As the co-founder of Rage Against The Machine, Audioslave and Prophets Of Rage, and through collaborations with everyone from Bruce Springsteen to Johnny Cash, he has continually pushed the limits of what one man can do with six strings.
But on his latest album The Atlas Underground, he’s transformed his sound into something even he could not have anticipated, blending Marshall stack riff-rock with the digital wizardry of EDM and hip-hop to create the most ambitious artistic effort of his storied career.
The Atlas Underground includes collaborations with Marcus Mumford, Portugal. The Man, the Wu-Tang Clan’s RZA and GZA, Vic Mensa, K.Flay, Big Boi, Gary Clark Jr., Pretty Lights, Killer Mike and Whethan among others. “The riffs and the beats led the way, but the extraordinary talents of the collaborators set my creativity into uncharted territory,” says Morello of the project, which will be released October 12th, 2018 by Mom + Pop Music.
Jim James returns with Uniform Clarity, the My Morning Jacket front man’s second solo album of 2018, produced by Grammy-award winning producer Shawn Everett (Alabama Shakes, The War On Drugs). Uniform Clarity explores the acoustic side of the songs on June’s Uniform Distortion with an intimateness rarely felt in recorded music. Check out Uniform Distorion on CD / LP / Indie Exclusive LP.
A truly unique expanded edition of one of the most iconic albums of all time. This new edition takes us on incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at John’s home studio at Tittenhurst Park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words. 2LP version features brand new stereo mix, outtakes, poster, 2 postcards.
Imagine will also be released in concurrent multiple physical and digital configurations including as a 1CD remaster, 2CD Deluxe Edition and 4CD/2Blu-ray Ultimate collection.
Eric Church pre-order comes with a bonus 7” for pre-orders only.
Heart Like A Wheel b/w Monsters
While supplies last.
7” single will be shipped with full length vinyl on 10/4 in the same package.
“Desperate Man” Church’s first single off the new album is currently in the Country Radio charts at #15. Co-written by Church with Texas musician Ray Wylie Hubbard as well as collaborating with producer Jay Joyce. The CMA Award winning singer won the Album of the Year in 2016 for Mr. Misunderstood and has reached Platinum status. It included the hit singles- Mr. Misunderstood, Record Year, Kill A Word, and Round Here Buzz. Desperate Man will contain 11 Tracks. “Excitement for new music from my favorite artists is a feeling I can remember from my formative years. The unknown and the possibilities of the anticipation are one of the true joys of music,” shares the North Carolina native. “Well, even though how we discover songs from our favorite performers may have evolved, the feeling remains the same.”
A highly personalised sociopathic gem delivered as a futuristic rewriting of how music works, a melodious breeze with a tail wind of venomous din. A ten-track album, her tenth studio set. Enveloping the juxtaposition of the concept of dark sunshine , a brooding solo record creating with friends to expand her off-kilter sonic vision; a squally, squeaky mix of discordant beauty. Feedback and phasing gyrate from simply strummed normality, imagine Dinosaur Jr and My Bloody Valentine cranking up a Dylan couplet. Messing with both extremes of the sonic spectrum: atonal and arrhythmic, a unique sound and a glorious return to form for one of alternative rock s true innovators. Sometimes the most subversive thing I can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we ve heard before, twisted into different shapes, and sometimes a story is lived a thousand times before we can ride it like a roller coaster. Nothing wholly unfamiliar is gonna make you look twice. When you can describe a record as being deceptively anything, you re hinting at the sociopathic nature of music. Something I love. Imagine truly buying your own sunshine and charm, but also your darkness and violence; the two sides of your psychology showing each other off in relief. Songs can do that...we can t, really. Darkness we ve seen. Kristin Hersh, July 2018
NOW Merry Christmas brings you the best 20 Christmas tracks all on one CD! The updated album now includes songs from Sam Smith, Bruce Springsteen and Kelly Clarkson as well as classics from Frank Sinatra, Nat King Cole and Bing Crosby
Stardust Birthday Party is about human evolution. Specifically, one humans evolution: mine, Ron Gallo. That’s the name my parents gave me. Hi.
At one point, I was a very lost mid-twenties person living in Philadelphia, in a relationship with someone struggling with mental health issues and crippling heroin addiction. I was asleep. I didn’t know how to handle my life. I was also writing songs for HEAVY META - my “frustrated with humanity” album. I laugh about it all now, but at the time it all felt like an absolute nightmare. It was the perfect doorway to look inside the place I’d been avoiding forever: myself.
Stardust Birthday Party is about what is happening underneath all of this life stuff. My path inward. The details of my path are pointless because everyone’s path is different. It is about me sitting with myself for the first time and confronting the big question “WHAT AM I, REALLY?” It’s about the love and compassion for all things that enters when you find out you are nothing and everything. I think at one point I wanted to change the world, but now I know I can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. And that’s what this album is about, it’s me dancing while destroying the person I thought I was, and hopefully forever.
In the liner notes of John Coltrane’s album A Love Supreme (which we pay tribute to on this album) he wrote: “During the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music.”
That’s it. That is the pure essence of creativity. Someone embodying what they have realized about themselves and the world that surrounds them. That is why this album exists.
Thank you for letting me share this with you. Ron Gallo
Richard Reed Parry’s Quiet River of Dust, is a meditative, widescreen musical experience with Beach Boy harmonies and a hypnotic pulse. Layered songs that move in a linear fashion, following a current rather than circular composition. Japanese folk myths, death poems and British folk music are tributaries flowing into a river of avant-garde composition and traditional song craft, written and performed by a member of the Grammy-winning rock band, Arcade Fire. Being released as two volumes, Quiet River of Dust Vol. 1 will be available on the start of the autumn equinox, September 21 2018. Quiet River of Dust Vol. 2 is coming out next year on the spring equinox 2019. Long before he joined Arcade Fire in 2003, Richard Reed Parry grew up in a thriving folk music community in Toronto, where house parties were full of singing. While a student of electroacoustic music and contemporary dance in university, he formed the instrumental ensemble Bell Orchestre, who have released three albums. In 2014, he released an album of biologically inspired compositions, Music for Heart and Breath, on the prestigious Deutsche Grammophon classical label. The genesis of these songs came after Arcade Fire’s first tour of Japan in February 2008. Parry stayed on for weeks after the last show, heading to a monastery for some solace in “the biggest silence you’ve ever heard.” One day he was walking alone in a massive, snow-covered cedar forest when he heard distant voices, voices that sounded a lot like his father’s folk group back in Toronto, Friends of Fiddlers Green. (Parry was 18 when his father died in 1995.) “There was no reason for something to sound like full-throated, British-Isle folk singing there,” he recalls. “I walked and walked but I could never get closer to where the music was coming from.” The ghostly experience inspired the song “On the Ground,” which in turn inspired the rest of the song cycle. When it came time to record “On the Ground,” he enlisted his father’s former colleagues on concertina, Northumbrian pipes and fiddle. For a musician raised in a musical family and environment, collaboration and community are essential parts of the process. Guest performers on this project include Parry’s partner Laurel Sprengelmeyer of Little Scream, Stef Schneider of Bell Orchestre, Dallas Good of the Sadies, Yuka Honda of Cibo Matto, Amedeo Pace from Blonde Redhead, and The National’s Aaron and Bryce Dessner.
By most bands’ fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of to-formula execution of what’s worked in the past. Fair enough. All Them Witches go a harder route.
In 2017, the Nashville four-piece offered what might’ve otherwise become their own template in their fourth album, Sleeping Through the War. Also their second for New West Records behind 2015 mellow-vibing Dying Surfer Meets His Maker, it brought a larger production value to dug-in heavy psych blues jamming, with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson).
After exploring new ground through their early work on 2013’s Lightning at the Door and 2012’s Our Mother Electricity as well as Dying Surfer, the band had arrived at something new, sprawling, and grander-feeling than anything before it.
So naturally in a year they’ve thrown that all to the Appalachian wind, turned the process completely on its head and gone the absolute other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation.
The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of who they are as a band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, All Them Witches’ All Them Witches isn’t self-titled by mistake.
It’s the band confirming and continuing to develop their approach, in the shuffle of “Fishbelly 86 Onions,” the organ-laced groove of “Half-Tongue,” the tense build of “HJTC” and the fluid jam in closer “Rob’s Dream.”
It’s a reaction to being a “bigger” band. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks’ vocals to McLeod’s commanding slide in “Workhorse” and drifting melancholy at the outset of “Harvest Feast,” All Them Witches is their laying claim to the essential facets of their identity.
And most crucial to that identity is its shifting nature. All Them Witches didn’t get to this point by resting on laurels, and if anything, the urgency of these tracks – fast pushers and sleepy jams alike – is among their greatest strengths.
It’s a rawer delivery, as stage-ready as the band itself, and as ever, it captures All Them Witches in this moment. Is it who they’ll be tomorrow? Who the hell knows? Check back in and we’ll all find out together. That’s the whole idea.
Rick and Morty is the critically acclaimed, half-hour animated hit comedy series on Adult Swim that follows a sociopathic genius scientist who drags his timid grandson on insanely dangerous adventures across the universe. Rick and Morty stars Justin Roiland (Adventure Time), Sarah Chalke (Scrubs), Chris Parnell (Saturday Night Live) and Spencer Grammer (Greek). The series is created by Dan Harmon (Community) and Roiland who also serve as executive producers. •Rick and Morty was the most-watched TV comedy of 2017, and the second-most-watched show overall, among adults 18-24. •The Season 3 premiere (via a secret, internet-only stream) registered 3M unique visitors via Adult Swim's site. The corresponding Facebook live stream recorded 43.3M impressions and 8.7M video views. •The season 3 finale drew 3.9M viewers in the 18-24 range and was the most-watched telecast of the day with adults 18-24, 18-24, and 18-49. •Rick and Morty was recently renewed by Adult Swim for an unprecedented 70 episodes (the past season was ten episodes). This release is the first official collection of music from Rick and Morty. All formats feature 26 songs, 24 of which are from the first 3 seasons of the show, and 18 of which were composed by Ryan Elder specifically for the show. The album also includes songs by Mazzy Star, Chaos Chaos, Blonde Redhead, and Belly, all of which have been featured in the show, as well as two new tunes from Chad VanGaalen and Clipping inspired by the show. The box set includes a special bonus track on a 7”.
Rod Stewart will release his 30th studio album – “Blood Red Roses” – September 28th on Republic Records! The album highlights Stewart’s acclaimed songwriting roots – blending the poignant observation, self-reflective introspection and playful swagger which established him as one of the world’s best-selling artists of all time. “Blood Red Roses,” a deeply personal 13-track collection of originals and three covers, is quite simply peak Rod Stewart. The album’s first single, “Didn’t I” is about the damage drugs can do from a parent’s’ point of view. This new album, his first in three years, follows international bestsellers “Another Country” (2015) and “Time” (2013) and will be released nearly 50 years to the date of when he signed his very first solo recording contract.
Over 30 years after the remix album Vital Idol was released and was certified platinum with over 1M sold, made 'Mony Mony' a global smash, and practically invented the dance-rock remix genre in the 80's, comes this modern day volume 2...Revitalized! This compilation of all brand new remixes of Billy's classic hits and some lesser known gems features Moby, Crystal Method, Paul Oakenfold, RAC, Cray, and more. 11 remixes including the hits Rebel Yell, White Wedding, Eyes Without a Face, Flesh For Fantasy, and Dancing With Myself.
Centered around Butler’s virtuoso guitar stylings and powerful, progressive lyricism, HOME draws upon a remarkable variety of musical genres, spanning folk, blues, funk, classic rock ‘n’ roll, and beyond. Out September 28, HOME is a message of redemption, a reflection of the inner and outer worlds Butler was experiencing and observing during this chapter of his life. The John Butler Trio is guitarist/vocalist John Butler, bassist Byron Luiters and percussionist Grant Gerathy. Packaging is Double LP White Vinyl.
Recorded in a church in New Orleans, and produced by T-Bone Burnett, Jon Batiste’s major label debut is a stunning showcase of the brilliant pianist and vocalist. Primarily just Jon and his piano, Hollywood Africans includes standards, unexpected covers, and original songs. This release displays Batiste’s dynamic talents and highlights his musicality and virtuosity on his instrument.
Joyce Manor are back with a new album, entitled Million Dollars To Kill Me. Frontman Barry Johnson along with co-founding guitarist Chase Knobbe, new drummer Pat Ware—(“Awesome new drummer,” adds Johnson)—and longtime bassist Matt Ebert, wrote enough songs to fill a full-length, and then worked to get songs lifted from emails between Johnson and one of his musical hero Impossibles’ guitarist/vocalist Rory Phillips, with whom he had been co-writing long distance, to match the ones written at full volume. (“Bedroom charm versus live rock band,” Johnson explains.) Their next step was a new step: their first time recording outside their L.A. hometown, at Converge’s Kurt Ballou’s GodCity studio in Salem, Massachusetts. They recorded daily 10-to-6 and then slept right upstairs in bunk beds: “Kinda felt like camp,” says Johnson. “It was a pleasure—I would recommend it to anyone.” If 2016’s Cody was about growing up, then Kill Me is about what happens next—the reckonings with love, money, doubt and confusion, and the hope that persists despite it all.
Singer/Songwriter and music producer William Fitzsimmon’s album Mission Bell is a chronicling of the tumultuous last year of his life - particularly of the separation from his second wife. Sonically, Mission Bell is Fitzsimmon’s first analog tape-centric album. The sounds are raw, real, and tangible. The familiar comforts of acoustic guitars are present but now joined generously by synthesizers, electric guitars, drum loops and violins.
"On The Corner Where You Live" is the latest album from Australian band The Paper Kites, a follow up to "On The Train Ride Home" which was released earlier this year. Produced by Peter Katis (The National, Interpol, Middle Kids) the album builds upon the romantic, dusky mood the band perfected on twelvefour (No. 1 debut on the ARIA chart) and includes standout tracks “When It Hurts You" and "Deep Burn Blue"
With his new album Songs of Resistance 1948 - 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Over a forty-year career, Ribot has released twenty-five albums under his own name and been a beacon of New York’s downtown/experimental music scene, leading a series of bands including Los Cubanos Postizos and Ceramic Dog. Since his work with Tom Waits on 1985’s Rain Dogs album, though, he is best known to the world as a sideman, playing on countless albums by the likes of Elvis Costello, John Mellencamp, Norah Jones, the Black Keys, and Robert Plant and Alison Krauss’ Grammy-winning collaboration Raising Sand.
The Paper Kites Double Deluxe Edition is two LPs: the newly released "On The Corner Where You Live" as well as the April-released "On The Train Ride Home". "On The Corner Where You Live" which was produced by Peter Katis (The National, Interpol, Middle Kids) builds upon the romantic, dusky mood the band perfected on twelvefour (No. 1 debut on the ARIA chart) and includes standout tracks "When It Hurts You" and "Deep Burn Blue". "On The Train Ride Home" is a mostly acoustic, achingly beautiful collection of songs. (Gatefold, gold/silver vinyl, includes poster.)
In 2018, Low will turn twenty-five. Since 1993, Alan Sparhawk and Mimi Parker—the married couple whose heaven-and-earth harmonies have always held the band’s center—have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music’s most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low’s career. To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver’s home studio, April Base. Burton recorded Low’s last album, 2015’s Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies. This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, “a hip-hop guy” could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves. Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive “Quorum.” For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?
Thrice created Palms with a free-form and fluid approach to the album’s sonic element. The result is their most expansive work to date, encompassing everything from viscerally charged post-hardcore to piano-driven balladry. To carve out that eclectic sound, Thrice enlisted trusted producer Eric Palmquist for the recording of the percussion and vocal tracks, and self-produced all of the guitar parts on Palms. “When we track our own stuff we tend to be far less neurotic about getting every note perfect,” says singer Dustin Kensrue. “It’s more about getting the right emotion out of the performance, so that it connects on a deeper level.” Kensrue, co-founded Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998. Hailing from Orange County, California, the band formed when three of its members were still in high school, making their debut with the kinetic punk/hardcore hybrid of the 2000 album Identity Crisis. Their breakthrough arrived with 2003’s The Artist in the Ambulance—Thrice’s third full-length, whose singles “All That’s Left” and “Stare at the Sun” each landed on the Billboard Alternative Songs chart. Palms is the band’s first release since signing to Epitaph in early 2018, and the album matches its raw passion with a measured intensity, a rare feat for an album so informed by the volatility of the times. “Even though some of these songs are really aggressive-sounding, I wanted to make sure they never felt like finger-pointing, especially at a time when there’s so much talking past each other,” says Kensrue. Within that approach, Thrice reveal their profound commitment to making an enduring impact on the listener.