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Indie Exclusive Releases

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Sudan Archives
Athena is the debut album from violinist, singer, songwriter and producer Sudan Archives. Sudan Archives is widely acclaimed for her thrilling combination of styles: powerful and anthemic R&B, electronic music, a violin style inspired by Northeast African fiddling, and West African rhythms. For Athena, she collaborated with a wide cast of songwriters, producers and musicians for a sound that is her fullest and richest to date, while staying true to the unique blend of influences that has won her fans around the world.
Sudan Archives
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Cigarettes After Sex

Cigarettes After Sex return with their anticipated sophomore album - Cry via Partisan Records. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love - meeting, wanting, needing, losing...sometimes all at once. The album was self-produced and engineered by Greg Gonzalez, and mixed by Craig Silvey (Arcade Fire, Yeah Yeah Yeahs).

Cigarettes After Sex
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Various Artists

2 Custom 180 Gram Translucent Orange LPs, Gatefold Jacket, Printed Insert, Inside LP Pockets, 24”x 36” Movie Key Art Poster folded and 11” X 17” Hollywood Map Poster folded

Various Artists
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Process Black

Process Black are a brutal sonic venture by members of Kiss it Goodbye, Ramprasad, Deadguy, No Escape, Lumbar, Bible Black Tyrant, Cascabel, COTCM, and Craft Spells. The band began in 2015 gaining attention through an incredible demo that blended noise-rock viciousness with hardcore/punk intensity. Bringing to mind the influential music the creators made in previous bands while continuing to evolve in sound and character. “Countdown Failure” is their masterful three song EP recorded by engineers Derek Moree (drums) and Joe Boldizar (vocals). Member Aaron Edge tracked guitars and mixed the material at Alphabaphomet in Portland, OR. Brad Boatright (Converge, Nails, etc) later mastered the release at Audiosiege

Process Black
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Foals

Part 2, like Part 1, was produced by Foals themselves: Yannis Philippakis (vocals/guitar), Jimmy Smith (guitar), Jack Bevan (drums) and Edwin Congreave (keys), with Philippakis and Congreave contributing bass too. The album simmers with the pure visceral intensity which has long been emblematic of the band— “The Runner” and “Black Bull” are streamlined attacks, and this approach also informs“10,000 Feet”— while retaining the opening chapter’s eclectic nature. “Wash Off” marries manic world music-tinged grooves with a punk-like intensity and the cinematic instrumentals “Red Desert” and “Ikaria” underline that Everything Not Saved Will Be Lost is a journey rather than a mere collection of songs.

Foals
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Floating Points

The best musical mavericks never sit still for long. They mutate and morph into new shapes, refusing to be boxed in. Floating Points has so many guises that it’s not easy to pin him down.

Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head. It’s the producer at his most “unhinged,” he says, a tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in. It’s the sound of the many sides of Floating Points finally fusing together: the carefree selector, the considered composer and the passionate label curator. But it’s also a sound that, while it’s born out of despair and frustration with the overwhelmingly dark forces around us, manages to provide some hope for compassion. Crush on that.

Floating Points
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Municipal Waste

Virginia Metalheads MUNICIPAL WASTE return with a fresh EP for fall 2019. It’s been few years and several hundred live shows since the Waste oozed out the much celebrated Slime and Punishment album. Back with 4 ripper tracks that embrace all the bands punk and street metal roots without clutching the past. That honest formula has led the Waste to innovate the festival scene with the opening track and party of the summer “Wave of Death”. Charged by the exotic and biting wit of vocalist Tony Foresta. Turbo charged by the dual guitar aggression of Ryan Waste and Nick Poulos. Locked in and ready for takeoff by rhythm section LandPhil Hall on bass and Dave Witte on Drums. Partiers, you’ve been taught the “Art” and now it is time for an advanced lesson. Thrashers on alert! MUNICIPAL WASTE is delivering, The Last Rager.

Municipal Waste
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Common

Music has been the genesis of Common's creative life. Let Love is the culmination of a journey. Common spent 2018 and 2019 immersed in self-care and, ultimately, catharsis. In the process, he underwent a transformation as he examined God, faith, fatherhood, community, and love. He unites with prominent forces from different eras of the culture to deliver a timeless dedication to hip-hop. As such, the record details his past and present and shines a light on a bold and bright future. Of hip-hop, Common admits on lead single HER Love, "You gave me a voice in the world, it's been hard to choose another girl."
"a State of the Rap Union as he addresses the rise and expansion of hip-hop throughout the past 25 years" - VIBE

"his most impactful body of work yet, - OkayPlayer.
"Common's homage to hip-hop" - Rolling Stone

Common
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Allah-Las

On their fourth LP (after Allah-Las, Worship The Sun and Calico Review), drummer Matt Correia, bassist Spencer Dunham, and guitarists Miles Michaud and Pedrum Siadatian A.K.A Allah Las turn their collective gaze outward and toward the horizon. Simply titled LAHS (a reference to a common misspelling of the band’s name), their forthcoming release on Mexican Summer finds the band turning in their most cohesive and ambitious work yet. “We’ve been traveling a lot the past couple years and I think that played a role in influencing the broader variety of songs on this record” Correia explains. And this is precisely what sets LAHS apart from its predecessors -- a record inspired less by time, but by place. “LAHS to me feels like a soundtrack to the past 5 years or so. A sort of audio postcard to anyone who wants to listen.”  

Allah-Las
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Dan Luke and The Raid

“It's like a coming-of-age crisis,” says Daniel Shultz about Out of the Blue, the messy and melodic debut album from his band, Dan Luke and The Raid. “It’s about being in that space in your 20s where you’re trying to get your shit together and figure things out in life. You’re dealing with your problems”—the singer, songwriter and guitarist pauses—“even as you’re going out and partying and getting into trouble all the time.”

Shultz and his Dan Luke & The Raid band mates know a thing or two about the last part of that equation, as evidenced by the songs and subject matter on Out of the Blue. Throughout the album’s 10 tracks, people are passed out on curbs under neon signs (“Black Cat Heavy Metal”), breaking hearts over rolled-up dollar bills (“Exoskeleton”), leaving baggies lying in passenger seats (“Money Mouth”) and faking smiles and feeling ashamed (“Golden Age”). Legs are bleeding, faces are numb and Shultz declares his band to be the “diamond kings of smut.” All the while, the music throbs and pulses and twitches and buzzes with the energy and enthusiasm and inexperience of youth, bursting with harsh, distorted guitar chords, blown-out synths squiggles and hopped-up rhythms—as well as, on occasion, moments of stunning and sincere melodic beauty.

With the weight and experience of events that have been at times joyful and sad, poignant and puerile, triumphant and tragic, Dan Luke and The Raid continue to carve out their future, one musical moment at a time. “What we want to do is create music, and create music in a way where people feel something,” Shultz says. “And when we see that happening it’s an amazing thing.”

Dan Luke and The Raid
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Big Thief

Two Hands, a completely new, fully-realized, 10-song album by Big Thief, will arrive just five months after their breakthrough U.F.O.F., one of the most acclaimed albums of 2019. In sharp contrast to the wet environment of the U.F.O.F. session, Two Hands had to be completely different— an album about the earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says singer/songwriter Adrianne Lenker. With raw power, intimacy, and honor, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album.

Big Thief
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Trigger Hippy

We ve come Full Circle and Then Some, goes the chorus to the title track of Trigger Hippy s sophomore album, their debut for Nashville indie label Thirty Tigers on the Turkey Grass Records imprint, and it s the perfect description of the long road these experienced musicians have traveled to arrive with an eclectic set that burnishes their collective roots from country, delta blues, R&B and gospel to southern rock and funk, from Memphis soul to New Orleans honky-tonk. This new collection spotlights Trigger Hippy s patented call-and-response duets and three-part vocal harmonies, with a stylistic range that encompasses traditional country plaints ( Strung Out on the Pain ), classic rockers (the title track), honking blues ( Dandelion ), a Basement Tapes-ish swamp-pop nod to the devastation of Katrina ( Goddamn Hurricane ), Dr. John-meets Allen Toussaint bayou grooves ( Long Lost Friend ) and even a psychedelic trance/dirge raga ( Born to be Blue ).

Trigger Hippy
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Beastie Boys

Ill Communication is the fourth studio album by the Beastie Boys. It was released on May 31, 1994 by Grand Royal Records. Co-produced by Beastie Boys and Mario C and featuring the singles Sabotage, Get It Together, Sure Shot, and Root Down. Pressed on Limited Edition 180-Gram Silver Metallic vinyl.

Beastie Boys
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Beastie Boys

Paul's Boutique is the second studio album from the Beastie Boys. Released on July 25, 1989, on Capitol Records, it was produced by the Dust Brothers and features the singles Hey Ladies and Shadrach. Pressed on Limited Edition 180-Gram Translucent Violet vinyl and spread across 2LP’s for the first time ever.

Beastie Boys
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Beastie Boys

The Root Down EP from Beastie Boys was released on May 23, 1995. The first three tracks are variations of the track "Root Down", and the remaining seven tracks were recorded "live in Europe, winter 1995". Pressed on 4 random colored Limited Edition 180-Gram vinyl (Red, Orange, Green, or Blue).

Beastie Boys
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Beastie Boys

To the 5 Boroughs is the sixth studio album by the Beastie Boys. The album was released on June 15, 2004 internationally, and debuted #1 on the Billboard 200. Featuring the singles Ch-Check It Out, Triple Trouble, Right Right Now Now, and An Open Letter To NYC. Pressed on Limited Edition 180-Gram Blue Vinyl.

Beastie Boys
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Wilco

Ode to Joy - the 11th studio album from the pioneering Chicago rock band Wilco - will be released Oct. 4 via dBpm Records. The album features 11 new songs written and produced by Jeff Tweedy and recorded by Wilco at the bands' own Chicago studio dubbed The Loft.

Wilco
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Courtney Marie Andrews

'May Your Kindness Remain' is Courtney Marie Andrews statement piece.  It is the follow up album to Courtney Marie Andrews critically acclaimed 2016 album Honest Life, which made Rolling Stone's list of the "Top 40 Country Albums of 2016" and was The Bluegrass Situation's Album of the Year.  She even appeared on an episode of 'Later…with Jools Holland.” She has toured with The Head & The Heart, Big Thief, Hamilton Leithauser and more. 

Courtney Marie Andrews
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The Menzingers

THE MENZINGERS - ACOUSTIC IN-STORE PERFORMANCE

Philadelphia-based punk band, The Menzingers are set to release their sixth studio album, Hello Exile. Produced by Will Yip (Title Fight, Quicksand), the album is the follow-up to the band’s 2017 critically acclaimed release After The Party.

The Menzingers are celebrating the release of their new album “Hello Exile” with an acoustic performance at the Gallery of Sound in Wilkes-Barre on Sunday October 6th at 5 pm.

Tickets for guaranteed entry will be available with pre-order of the CD or the Peach Swirl Colored Vinyl. CDS and Vinyl will be ready for pickup on street date (10/4) at the 186 Mundy St. location along with a ticket for entry to the show or you can just pick it up on the day of the show.

All ages welcome.

Space is limited.

One ticket for entry with each item purchased.

**Make sure you select the shipping option 'Free In-Store Pick Up (Wilkes-Barre)' to receive the wristband.**



Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the band take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, Hello Exile ultimately maintains the irre- pressible spirit that’s always defined the band.

The Menzingers are: singer/guitarists Greg Barnett and Tom May, bassist Eric Keen, and drummer Joe Godino.

The Menzingers
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North Mississippi Allstars

'A forgotten roll of film was found. Shot before the turn of the century, the photographs resonate with music. The images inspired an accompanying soundtrack. The music is full of stories. The songs and stories originate in two neighboring rural counties. The cast of characters includes four families of Mississippi musicians, three generations deep, and a photographer from Texas.' - Luther Dickinson In 2017, Wyatt McSpadden found an old roll of film and tracked down members of North Mississippi Allstars to share his forgotten photographs. The images were so profound and so beautiful that they would come to inspire the latest recording, Up And Rolling. The images inspired the band to ask, 'What did the music sound like that night in 96? What does Mississippi music sound like now? What would ideally be on the push button AM/FM radio as we drove thru the hills?' The North Mississippi Allstars would return to the famous Zebra Ranch to record Up And Rolling, inspired by Wyatt's images. They gathered together, trimmed back the wisteria, and swept out the converted barn recording studio. The fired up the tube amps and old computers and began conjuring up modern Mississippi music, ancient and futuristic all at once. Telling it how it was and how they think it should be. Up And Rolling is modern Mississippi. Transcending time and space, the music reaches out into the dark of night like the wisteria vine, looking for free hearted souls to latch onto and wedge into the foundation of hate, slowly tearing down walls a generation at a time.

North Mississippi Allstars
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DIIV

Rebirth takes place when everything falls apart. DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite… 

The same could be said of the journey these four musicians underwent to get to their third full-length album, Deceiver. Out of lies, fractured friendships, and broken promises, clarity would be found. 

“I’ve known everyone in the band for ten years plus separately and together as DIIV for at least the past five years,” says Cole. “On Deceiver, I’m talking about working for the relationships in my life, repairing them, and accepting responsibility for the places I’ve failed them. I had to re-approach the band. It wasn’t restarting from a clean slate, but it was a new beginning. It took time—as it did with everybody else in my life—but we all grew together and learned how to communicate and collaborate.” 

A whirlwind brought DIIV there.

DIIV
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Kacy & Clayton

The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people youd find in Wood Mountain, Saskatchewan (population very few.) The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home. Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, A beautiful album that nudges a classic past into a brave future.) and 2017s The Sirens Song (described by Uncut as Ageless and beguiling. A classic record for this or any other time.)Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentrys Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.

Kacy & Clayton
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City And Colour

City and Colour’s sixth studio album will be entitled A Pill For Loneliness and will be released on October 4, 2019. The Orchard has WW rights ex. Canada, Australia, New Zealand. This will be the first new music from City and Colour in four years (almost to the date). The album was produced and mixed by Jaquire King (Kings Of Leon, Tom Waits, Modest Mouse, Norah Jones and more) and mastered by Emily Lazar (Beck, Coldplay, Dolly Parton, The Chainsmokers and more).

City And Colour
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Colter Wall

Produced by Grammy Award-winning producer Dave Cobb, this newest offering by Colter Wall was recorded at Nashville's historic RCA Studio A. Wall's sound is comprised of resonate and raw baritone vocals, folk and bluegrass style guitar and banjo picking, steady kick-drum stomping, and visually provoking, story telling lyrics.

Colter Wall
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Tegan and Sara

Twenty years into their career, Tegan and Sara have recorded a new album that is based on the first songs they ever wrote. Hey, I’m Just Like You – their ninth studio album overall and first since 2016’s Love You to Death – will be released on September 27 on Sire.

Hey, I’m Just Like You is a return to Tegan and Sara’s rock and punk roots, with a punch of pop production. Recorded in Vancouver, Canada in April and May 2019, the album recasts the remarkable innate songwriting talents both possessed as teenagers, and allows these previously unreleased songs to benefit from the studio expertise they have gained in the past two decades – a period that has seen them release eight studio albums, earning seven Gold certifications and one Double Platinum certification in the process. Defiant and melodramatic, the songs capture the exultation and grief of first loves, first losses, ecstatic kiss-offs, and psychedelic tributes to friendship.

Tegan and Sara
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Noel Gallagher's High Flying Birds

Noel Gallagher’s High Flying Birds will release ‘This Is The Place’ on 9/27. The five track EP features three brand new songs as well as two remixes. Although completely disparate sonically, the three new tracks each feature soaring female backing vocals and nod to different iterations of psych. This is the second EP of new music from Noel in 2019 following the release of ‘Black Star Dancing’ in June of this year. Noel will join Smashing Pumpkins on tour across the US later this month.

Noel Gallagher's High Flying Birds
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Weeping Icon

Listening to Weeping Icon's debut album is to enter a dim catacomb of psychical catharsis. Urgent yet calculated riffs rip through a thunderous pummel of percussion, an anomalous blend of punk and psychedelic drumming carries the songs with an atmosphere of organized chaos.. Lyrically they are both serious and sarcastic, trading off vocalists to confront issues central to a generation, dosing listeners with a controlled sense of horror and humor like flavors in a dish.The band's debut record 'Weeping Icon' is a collection of 7 songs that archive the metamorphosis into heavier and more provocative territories. In keeping with their live performance, a sequence of dystopian sound interludes complete the album, serving as guided meditations between the candid subversive fury of the main tracks. Recorded and mixed by Uniform's Ben Greenberg and mastered by Jonathan Schenke in New York City.

Weeping Icon
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Status Quo

This package includes: 1 transulcent orange LP. OBI (side spine), Single jacket with one pocket, printed inner sleeve and orginial record labels. On The Level is the eighth Status Quo studio album. It features Francis Rossi, Richard Parfitt, Alan Lancaster and John Coghlan. Released in February 1975, the album entered the chart at #1. All tracks were written or co-written by the group including Robert Keith Young, except 'Bye Bye Johnny', written by Chuck Berry.

Status Quo
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Brittany Howard

Standard vinyl on Sunburst Color Vinyl, limited to 5000 copies

Composed and assembled over the course of several years, Jaime is a highly personal album release combining Brittany’s unmistakable voice with peerless, visionary and fearless songwriting. Brittany has constructed an assemblage of songs which bend the framework of what we know from her previous work with Alabama Shakes and endeavors with Thunderbitch and Bermuda Triangle, music which wholly sits in a new terrain of sound bolstered by an incredible band of musicians including Zac Cockrell of the Shakes, drummer Nate Smith and the one and only Robert Glasper.

Brittany Howard
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Andrew Combs

On his new album, ‘Ideal Man,’ Andrew Combs worked with producer/engineer Sam Cohen (Kevin Morby, Benjamin Booker)to achieve a more raw, direct sound. The collection was captured live in Cohen’s Brooklyn studio, with compact arrangements fueled by taut, elastic grooves. While Combs may be best known as a singer/songwriter in the classic 1970’s Laurel Canyon sense, he proves the true versatility of his work here, often setting his acoustic aside in favor of atmospheric synthesizers and distorted electric guitars. Combs worked with some of his favorite writers on the album, including Dylan LeBlanc, Jeff Trott, Joe Henry, and Kenny Childers, but the stories he tells here are deeply personal and remarkably vulnerable.

A sense of danger and violence underlies the entire record, much as it does the entire country, but it only serves to make the moments of beauty and connection here that much more poignant. Life is short and the clock is ticking. Andrew Combs doesn’t plan to waste a second. 

Andrew Combs
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