DJ Shadow returns with his new album Our Pathetic Age, releasing November 15th via Mass Appeal, kicking off the project with hit single, 'Rocket Fuel' featuring vocals from legendary rap trio De La Soul, which was also included in EA's Madden 20 Soundtrack. Set to release as a double album, part 1 of Our Pathetic Age includes 11 genrebending instrumental tracks. Part two is a 14track vocal suite with features from the likes of Nas, Dave East, Run The Jewels, and more.
Maryland-based singer/songwriter and multi-instrumentalist Michael Nau is back with a fourth “solo” album, on the heels of his 2018 release, Michael Nau & The Mighty Thread. Nau, who previously fronted projects like Page France and Cotton Jones, is known for his unique blend of psychedelic folk, R&B, and indie rock music. On his latest effort, Less Ready To Go, Nau enlisted Scott McMicken (Dr. Dog) as a producer, along with collaborators Whitney McGraw, Andrew Dost (fun.), Zach Miller (Dr. Dog), Benny Yurco, and Seth Kauffman.
Imagine the mind’s farthest wanderings made physical, formed into worlds that represent our internal and external expressions. Mythologically speaking, people have been naming this duality for ages: utopia and dystopia, heaven and earth, Olympus and the underworld. Now imagine this concept distilled in an eleven track, thirty-six minute album, and you arrive at Arcadia, the latest offering by songstress Lily Kershaw. Weaving warmer analog sounds like organ, harpsichord and guitar with cinematic force, Arcadia is Kershaw’s most intimate release to date. But the strongest tool Kershaw wields is her voice, both in the simmering ferocity it carries and the poetry it speaks. Though the concept behind the record is epic to say the least, Kershaw is ultimately telling a story of acceptance, both of herself and the great mystery that is the universe
The Gathering Dawn is the debut solo album from Hollie Kenniff. The album, which is her first ambient proclamation, displays a sprawling looseness in sharp contrast to her works as one half of Mint Julep with husband Keith Kenniff (Helios, Goldmund). The Gathering Dawn wistfully utilizes glacial synths, blurred out guitars and Hollie's melancholic vocal plumes as a basis. The album finds Hollie effortlessly folding classic ambient motifs in with a minimal modernist brushstrokes.
This Super Deluxe limited edition package features a new stereo mix of the album by Bob Clearmountain from the original analog masters. The package also features the previously unreleased complete “Live At Woodstock” performance from 1969, the Classic Albums – The Band documentary, and thirteen bonus tracks. Bonus tracks include six previously unreleased outtakes and alternate versions. The exclusive book features a new essay by Anthony DeCurtis and classic photos by Elliott Landy.
Five CD box set tracking David’s early development throughout 1968 and 1969, via his home demos, BBC radio sessions, studio recordings with guitarist John ‘Hutch’ Hutchinson and the experimental music and mimegroup, Feathers. DAVID BOWIE - CONVERSATION PIECE contains twelve previously unreleased tracks/demos.
Brand new mix of the Space Oddity (aka David Bowie) album by longtime Bowieproducer/collaborator Tony Visconti.
Of the 2019 Space Oddity album mix Visconti says “It was so much fun to find hidden gems of musicianship with more time to mix the second time around, a guitar twiddle here, a trombone blast there, Marc Bolan’s voice in a group choir and more detail in general that we overlooked all those years ago when the label gave us a weekat the most to mix this album. And in the details you will find 22 year old David Bowie, who would soon take the world by storm."
Bonnie Prince Billy is the man who is destined to sing a darkness for the rest of time - but not now. Not today. For I Made a Place, his first album of new songs since 2011, he is bringing the lightness to new- and next-generations as well as his longtime friends and fans. It's a message we dearly need. With a hometown band supplying him the space to be as spare or as expansive as he needs to be, Bonny draws inspiration from a world-spanning set of musics, aiming to lift us up with songs meant to inspire, inform, lend confidence and bring warmth to assailed tribes everywhere. A depth of musical joy as only the Prince can deliver!
When The Clash's third studio album 'London Calling' was released in the winter of 1979, it was clear that the band had made an instant classic, an era-defining masterpiece that stands as one of rock's all-time greatest albums. The album is a hugely compelling melting pot of musical styles, driven by a passion for action and a fierce desire for social justice, with lyrics which remain completely relevant. This limited edition 120-page, hardback scrapbook contains rarely seen content from the bands personal archives, including handwritten lyrics, Ray Lowry drawings, fanzines, original press cuttings and band images. The Scrapbook has a special clear slip case printed with Ray Lowry's artwork, which can be removed to reveal the Pennie Smith photo below.
Courage is the highly anticipated new album from global superstar Celine Dion. "Imperfections," "Lying Down" and "Courage" are new tracks from the eclectic album, each representing an exciting new creative direction for Celine. A mix of beautiful ballads and edgy up-tempo tracks, Courage is her first English album in 6 years. On Courage, Celine worked with an enviable list of songwriters and producers including Dan Wilson, Johan Carlsson, Ross Golan, Skylar Grey, LP, Jon Levine, Greg Kurstin, Eg White, The Stereotypes, Steve Aoki, Freddy Wexler, Andrew Wells, Ari Leff, Michael Pollack, Nicholas Perloff-Giles, Dallas Koehlke ('DallasK'), David Guetta, Giorgio Tuinfort, Sia, Stephan Moccio, Erik Alcock, Liz Rodrigues, Jörgen Elofsson, Anton Mårtensson, and more! This package includes: Single Disc in Jewel Box, Fold Out Poster Insert, and 20 Tracks
Looking back, why did it take ten years to finally lure Waylon Jennings
to the Austin City Limits stage for his first performance? Like
everything else about the man, he did things his own way - when he
was damn good and ready. Maybe it had something to do with that
other Texas singer, that Red-Headed Stranger who shook things up
in Austin and country music in general. Waylon wasn’t sure what the
fuss was all about (as he sang, “It don’t matter who’s in Austin, Bob
Wills is STILL the King!”).
Hyperspace’s new dimensions in sound are the result of Beck’s most collaborative efforts to date. Seven of the album's 11 tracks—including single “Uneventful Days” and “Saw Lightning” (as featured in the Beats by Dr. Dre Powerbeats Pro campaign and also included with pre-orders)—feature co-writing and co-production from Pharrell Williams. Elsewhere in Hyperspace, “See Through” is co-written/co-produced by frequent Beck collaborator Greg Kurstin, “Star” is co-written/co-produced by Paul Epworth, “Stratosphere” features back-up from Chris Martin, the album’s title track features guest vocals from Terrell Hines, and “Die Waiting” is co-written/co-produced by Cole M.G.N. with backing vocals from Sky Ferreira. Longtime Beck bandmates Jason Falkner, Smokey Hormel and Roger Manning Jr. feature on much of the album as well.
uknowhatimsayin¿ marks a buoyant new chapter in Danny's career, a transitional and celebratory moment. His profile has grown since Atrocity and now armed with a cable TV show and a co-sign from one of rap's icons, we will look to solidify his positioning as a ubiquitous entertainer, independent rap hero, and one of the essential cultural voices of this era, while still retaining the edgy, maverick style that makes him a fan-favorite. The album is executive produced by Q-Tip, and features production by Q-Tip, JPEGMAFIA, Flying Lotus, Paul White, Standing on the Corner and more.
Pluralone (pronounced "plural one") is the new project from multi-instrumentalist and songwriter Josh Klinghoffer. While Klinghoffer is best known for his current role as guitarist in the Red Hot Chili Peppers, he has played and recorded with a variety of acts, including PJ Harvey, Beck, and Gnarls Barkley, as well as fronting the group Dot Hacker. Pluralone's debut album, To Be One With You, is largely a solo effort on Klinghoffer's part, although it features performances by frequent collaborators such as Flea (RHCP), Jack Irons, Eric Avery (Jane's Addiction), and fellow Dot Hacker members, Eric Gardner and Clint Walsh. On the heels of a seven inch release with two foreign language covers, the new album showcases ten brand new, original tracks which will be available on LP, CD, and digital formats.
"In January 2019 I found myself stuck in a Chicago hotel room during the “Polar Vortex”. I was performing there with my duo Radnor & Lee over a few nights when temperatures dropped, leaving me unable to do much outside my hotel room for 4 days.
Chicago is a city that holds a special history for me, and I found myself spending a good chunk of time staring out my hotel window, reflecting on my first trip there in 1993 to record my debut solo album Grandpaw Would at Idful Studios with Brad Wood. But more than the details of that trip, I was struck by how vividly memories started flooding back tome of being a 15 year old mega fan of music, and in particular, indie rock. I LIVED for the records that I loved and the bands who made them. I’m not sure you are ever a fan of bands the way you can be as a teenager. It’s pretty sacred.
I started re-listening to some of my favorite songs from that period in that hotel room, by the Beat Happening, Pavement, Fugazi, The Breeders, Guided by Voices. It struck me as crazy that these songs and the feelings that accompanied them were now over 25 years old. It started seeming odd to me that for some reason, indie rock hasn’t been canonized the same way ‘60s and ‘70s rock has. After all, Dinosaur Jr were my Led Zeppelin, Sonic Youth were my Grateful Dead and Built to Spill were my Steve Miller Band. These were my classics!
I always travel with my portable studio gear, and I immediately sat down and started learning and recording a collection of my favorite songs. I spent my 4 days of the 2019 Polar Vortex creating the blueprint for what would becomeQuarter Century Classix. When I got home to LA, I invited my friends Julianna Barwick, William Tyler and Mary Lattimore to my home studio to add their magic to my recordings as I knew they grew up in reverence of the same records I did. These three genius musicians became the “band” who you can hear framing these covers and I am eternally grateful for their talent and generosity. Later, Maria Taylor, Mike Watt, Petra Haden and Joey Waronker all showed up to play too.
To some people these songs are just footnotes in pop culture history. But to me, they are the essence my own personal history. I wanted to make this record a tribute to these bands, to these songs, and to the irreversible way music can touch and transform the life of a young person. I hope you enjoy
Collectible Boxed Set presents 23 180-gram vinyl singles in faithfully reproduced international picture sleeves. Includes exclusive double A-Side single for “Free As A Bird” and “Real Love” plus a 39-page book.
JD McPherson presents A Christmas Album, SOCKS. Featuring 11 original tracks written by JD McPherson and his friends. SOCKS is an album of Holidays songs sure to be standards while you are decorating the tree. Come get warm by the fire with songs such as , "All The Gifts I Need" and "Every Single Christmas." Or, burn the cookies to "SOCKS" and "Ugly Christmas Sweater." There is something for everyone on this record to enjoy whether you are in the Christmas spirit or if you just wanna say, "Bah Humbug".
LINDEMANN are back! Till Lindemann (Rammstein) is responsible for the lyrics, and Sweden's Peter Taegtgren (Pain, Hypocrisy) is, in turn, responsible for music and production. Their first album Skills in Pills (Warner) was released in 2015 and reached Gold Status in Germany (100k+ albums). Skills in Pills was in English. The new album will be released this November, and is completely in German for the first time. Get ready for a LINDEMANN-filled Autumn!
In honor of the 50th Anniversary of the Allman Brothers debut album, New West Records is proud to present, Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band. This record is a true collection of big band jazz interpretations of Allman Brothers classics. The record features guest vocals by Marc Broussard and Ruthie Foster. Big Band of Brothers also features Jack Pearson on guitar, who has performed as a guest of the Allman Brothers Band on numerous occasions, and actually joined as a member of the band in 1997. Together with Dickey Betts, he completed the band’s archetypal guitar duo for nearly 3 years. Wycliffe Gordon (of Jazz at Lincoln Center fame) is also featured as a soloist. Gordon is consistently ranked among leading trombone players in the Downbeat critics poll.
William Hooker has been recognized as one of the most innovative musicians and drummers of his generation, leading a variety of ensembles within the worlds of free jazz, experimental, and new music. Hooker’s prior collaborators range from avant garde jazz musicians to indie rock legends like Thurston Moore and Lee Ranaldo of Sonic Youth. On his latest work, “Symphonie of Flowers”, Hooker weaves three sections into a whole, or a “symphonie” of sorts. As he says, “the piece begins and ends with the drum…my instrument. Its rhythm and variations of timbre are the stabilizing element.”
Songs For Groovy Children assembles all four historic debut concerts by Jimi Hendrix’s newly assembled Band of Gypsys at New York’s Fillmore East on New Years Eve 1969 and New Years Day 1970. Presented in their original performance sequence and encompassing 43 tracks across 5 CDs or 8 LPs, the set boasts over two dozen tracks that have either never before been released commercially. Newly mixed and restored in sequence without edits, fans can finally hear Hendrix, Cox and Miles blast through their genre-defying sets that included freshly written songs like “Earth Blues” and “Stepping Stone,” as well as supercharged Experience favorites inclusive of “Foxey Lady,” “Voodoo Child (Slight Return),” “Wild Thing,” “Hey Joe” and “Purple Haze.” The lavish package is filled with unseen photos and remembrances from bassist Billy Cox and liner notes by author/journalist/filmmaker Nelson George. Songs For Groovy Children was produced by Janie Hendrix, Eddie Kramer and John McDermott and mastered by Grammy-winning engineer Bernie Grundman.
20th anniversary re-issue completely re-mastered from original master tapes. Double LP on heavyweight vinyl with pop-up gatefold. CD edition features over 25 bonus tracks including second disc of previously unreleased material. Both feature foreword by Alan McGee, sleevenotes by Ric Rawlins, and previously unseen concept art drawings by Pete Fowler.
SIMPLE CREATURES is Mark Hoppus (blink-182) and Alex Gaskarth (All Time Low). Their debut single “DRUG” was written by Hoppus and Gaskarth in collaboration with their producer and friend, Zakk Cervini (blink-182, Yungblud, All Time Low, 5SOS) and was released Friday, January 25 to critical acclaim. Hoppus and Gaskarth are long-time friends who both found some downtime whilst blink-182 and All Time Low were between albums. They came together to work on something a little different and thus SIMPLE CREATURES was born.
Skeggs, the Australian 3-piece power trio, combines surf, garage and slacker elements to create their dynamic sound. Pressed on red vinyl, the 2018 debut full-length album "My Own Mess" LP will be released on November 22nd.
LP1-2: 1999 album (remastered for the very first time) LP3-4: Promo mixes & B-sides (remastered) The Deluxe Edition features Prince’s iconic album,1999, remastered for the very first time The set also includes 18 Promo mixes and B-sides that Prince officially released in and around 1982
“I didn’t want to do a double album, but I just kept writing... I always compare songwriting to a girl walking in the door. You don’t know what she’s going to look like, but all of a sudden she’s there.” Prince, November 1982
(Minneapolis, MN – September 10, 2019) – Considered one of the most iconic and influential double albums in rock history, Prince’s 1999 was released at a major turning point in the artist’s career. After years of being relegated to the R&B charts, he experienced his first true crossover moment with the mega-hits “Little Red Corvette,” “1999,” and “Delirious,“ shattering barriers with his revolutionary blend of rock, funk, R&B and new wave pop, and making history by being one of the first black artists to have their videos in heavy rotation on MTV.
The songs included on 1999 were just a small sampling of the work that was pouring out of Prince in the intensely prolific period of 1981 and 1982. In addition to his own material, he was also working up tracks that he would give to his protégés Vanity 6 and The Time, and recording dozens of songs that would be stored for possible later use, archiving them in his growing vault of unreleased material. This November 29, The Prince Estate, in partnership with Warner Records, will reissue 1999 via all physical, digital and streaming partners, with the timeless album remastered for the very first time, along with 35 previously unreleased tracks from Prince’s legendary vault that showcase the creative flow Prince had tapped into during this era. The reissue suite will be comprised of the following formats: • Super Deluxe Edition (5CD+DVD / 10LP+DVD / audio-only download and streaming) • Deluxe Edition (2CD / 4LP 180g vinyl / download and streaming) • Remastered album (1CD / 2LP 180g Purple Vinyl / download and streaming) The 1999 Super Deluxe Edition represents the deepest dive to date into Prince’s vault and includes a total of 65 audio tracks across five CDs and ten 180g vinyl records.
The Super Deluxe Edition brings fans all the audio material that Prince officially released in and around 1982, as well as 23 previously unissued studio tracks recorded between November 1981 and January 1983, and a complete live audio performance of the 1999 tour recorded at the late show (the second of two that day) in Detroit, MI on November 30, 1982.
In addition, both CD and vinyl sets also boast a brand-new DVD containing another complete, previously unreleased concert from the 1999 tour, recorded in multi-cam live at the Houston Summit on December 29, 1982. The Super Deluxe Edition set also features Prince’s previously unseen handwritten lyrics for several songs from the era, including the hit “Little Red Corvette,” plus images of the analog tape reels from the vault and rare photography from Prince’s early ‘80s photographer, Allen Beaulieu. The Super Deluxe Edition is completed with brand-new liner notes by longtime Rolling Stone critic David Fricke, revered Guns N’ Roses bassist and author Duff McKagan, Minneapolis historian and radio host Andrea Swensson, and Prince scholar Duane Tudahl.
Fricke notes, “A landmark collection of vision, craft, and urgency – an unprecedented immersion in the frenetic momentum and private working world of Prince in 1981 and 1982, en route to the profound breakthrough of his fifth studio album, 1999.”
The 1999 Super Deluxe Edition shines a forensic light on the creative output of this truly unique musician, songwriter, producer, and performer at a pivotal point in his career and demonstrates why his unsurpassed body of work continues to generate so much love and passion around the world.
On May 26, 2016 The Flaming Lips performed their classic album The Soft Bulletin in its entirety with the Colorado Symphony at Red Rocks Amphitheater in Colorado.
The Flaming Lips (Wayne Coyne, Steven Drozd, Michael Ivins, Derek Brown, Jake Ingalls, Matt Kirksey and Nicholas Ley) were accompanied by a 69-piece orchestra and 56-strong Chorus. The performance was conducted by the internationally celebrated conductor Andre de Ridder.
The Flaming Lips performed the 12-track album in its original sequence with new arrangements for each song that use the orchestra and chorus to great effect.
This entire concert was produced by The Flaming Lips, Scott Booker and their long-time collaborator Dave Fridmann. The resulting live album is being released to celebrate the 20th anniversary of The Soft Bulletin, originally released in 1999. The album was the band’s breakthrough moment and featured the hit singles “Race For The Prize” and “Waitin’ for a Superman”.
Starting with the following year’s Under Wires And Searchlights, they’ve created an explorative body of instrumental work that’s shifted between electronica, dub, minimalism, avant-jazz and ambient music. Along the way they’ve collaborated with the likes of Jah Wobble, remixed Max Richter and Vök and provided soundtracks for art installations and other visual media. They’ve also had their own music remixed by Biosphere and Japan’s Steve Jansen, among others.
The new album offers ample evidence of a band in its prime. Marconi Union still sound vital and original, enthused by the possibilities that music has to offer. “We’ve never wanted to repeat ourselves,” states Talbot. “We’ve made ten albums and have been going for 17 years, but it still feels fresh. That’s been so important for us all the way through. We’re looking to do new things all the time” co-founder Richard Talbot says.
Indeed, the exquisite Dead Air bears only a passing resemblance to its 2016 forerunner, Ghost Stations. The trio have dispensed with beats, brass and guest musicians this time around, opting instead for a more intimate and textural approach, a constantly evolving soundworld of tones and sensory impressions. Dead Air also bears little resemblance to the trio’s initial vision for it. “The album we set out to make had far more of a rhythmic element,” explains Talbot, “but fairly late in the process, we decided to completely change direction.” This is entirely in keeping with Marconi Union’s guiding methodology. Ideas remain fluid throughout the writing process, until Talbot and bandmates Jamie Crossley and Duncan Meadows ultimately settle on what feels right to them.
As such, Dead Air is a sublime testament to their collective instinct.
Marconi Union’s most successful album to date is Weightless (Ambient Trans- missions Vol. 2). ‘Weightless is widely considered to be ‘the most relaxing track in the world’
Experimental hip-hop group Clipping’s “The Deep” is a dark sci-fi tale about the underwater-dwelling descendants of African women thrown off slave ships, based on the mythology of Detroit electronic group Drexciya. The song was originally commissioned for a This American Life about Afrofuturism in 2017. The track earned Clipping a nomination for a 2018 Hugo award, and the band constructed a sound installation based on “The Deep” at the Massachusetts Museum of Contemporary Art. This release comes on the heels of the November 5th release of The Deep, a novella by Rivers Solomon (with Clipping credited as co-authors) inspired by the title track and published by Saga Press. The vinyl and digital versions include two otherwise-unreleased extra tracks – including “Aquacode Databreaks,” which features Shabazz Palaces – and the vinyl edition includes instrumental versions of all three tracks.
The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls. The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.” Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.) About Preservation Hall Jazz Band: At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.
EXO's 6th Album 'OBSESSION' (EXO & X-EXO Ver.) will be released on November 27th. The album features total 10 songs in various colors & genre, including powerful and catchy title song, 'Obsession', which will be out in both Korean and Chinese version. One of two covers (EXO & X-EXO Ver.) will be supplied at random. The album includes 6 photo books, 1 folded poster (random 1 out of 6), 1 initial-only poster (folded, random 1 out of 7), 1 photo slide (random 1 out of 6), and 1 photo card (random 1 out of 12). All are different per version. This is an official release from SM Entertainment and will count towards Billboard and Gaon charts.
Close your eyes and imagine the Everly Brothers wearing tie-dyed Nudie Suits. Okay, now open them. There's Mapache. Youngn's Clay Finch and Sam Blasucci, the Mapache boys, are barely in their 20s and are already rising to the top of the new wave of West Coast Cosmic Americana. Born and raised in Glendale, California, their breathtaking harmonies and heartfelt yet heady sound, was honed by surfing the beaches and exploring the deserts and canyons of their native California. Dan Horne of Beachwood Sparks produced the album at the vintage analog halls of Valentine Recording Studios, where the tape rolled and captured the live spirited harmony, skillful strumming and genuinely well-crafted songs that everyone from Chris Robinson to Jonathan Richman have fallen in love with. The real charm lies in the simplicity of their voices and the songs that recall a young Gene Clark, The Louvin Brothers, Crosby, Stills and Townes...it's all there and more. Mapache was originally released in 2017 on a limited run that sold out instantly and is now available again on LP. As an added bonus, Mapache's 2018 Lonesome LA Cowboy 3-song EP is included with the LP as a bonus 45 single. This marks the first time the songs from Lonesome LA Cowboy are available on vinyl.
Kim Richey celebrates the 20th anniversary of her album Glimmer with, A Long Way Back: The Songs of Glimmer, featuring new recordings of the songs from Kim's classic album. Produced by Doug Lancio, who also plays most of the instruments, A Long Way Back. . . allowed Kim to reinterpret these songs and give them a fresh, yet timeless sound. Other musicians on the album include Nielsen Hubbard and Dan Mitchell. The First Edition LP is pressed on cloudy sky colored vinyl and includes a handwritten/signed note from Kim Richey. Download code includes all 14 album tracks
Karrin Allyson proudly confirms the highly anticipated physical release of Shoulder to Shoulder, a very special and timely album that celebrates the centennial of women’s suffrage. In addition to five-time Grammy nominee Karrin Allyson, the sextet also features Ingrid Jensen (trumpet), Mindi Abair (alto saxophone) Helen Sung (piano), Endea Owens (bass), and Allison Miller (drums). Shoulder to Shoulder has an incredible array of featured artists. Guest appearances by Madeleine Peyroux (vocals), Kurt Elling (vocals), Regina Carter (violin), Denise Donatelli (vocals), Veronica Swift (vocals), Rapsody (rap), Antonia Bennett (vocals), Emily Estefan (vocals), Pauline Jean (vocals), Olivia Culpo (cello) and a Choir of over forty Women's Rights Activists. There are several spoken word performances that re-create the debate over woman’s suffrage: Harry Belafonte performs a speech by Frederick Douglass, Rosanne Cash performs a speech by Susan B. Anthony, Julie Swidler performs a speech by Alice Paul, Lalah Hathaway performs a speech by Sojourner Truth, and Peter Eldridge performs a speech by Elihu Root. There is even a brief appearance by Roberta Flack on the album. Susan Morrison of The New Yorker serves as an Executive Producer of the project, which was produced by multi-Grammy winners Kabir Sehgal, John Daversa, and Doug Davis. Shoulder to Shoulder seeks to re-create the multi-decade debate – warts and all – that culminated in the enactment of the nineteenth amendment. “We want to highlight this significant movement in American history. One that we shouldn’t forget and that is relevant today. It’s also one in which music played an important role,” said Karrin Allyson. A remarkable artist, Allyson is also an activist who feels equally comfortable on the bandstand, as she does at the podium making the case for women’s rights. In fact, she has a history of writing songs (“Big Discount,” “Way Down Below”) that challenge conventional political wisdom and call for societal change.
Thomas Dolby’s breakthrough 1982 record “The Golden Age of Wireless” is reissued on special 140g Splatter Vinyl and 1CD. Remastered, this release includes the singles "Airwaves", "One Of Our Submarines" and the international hit single “She Blinded Me With Science”.
Sweden’s Opeth are preparing to release their most important record to date with “In Cauda Venenum”. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as Opeth’s lucky thirteenth. Sporting a clever Travis Smith cover—replete with inside jokes and a nod to King Diamond—a masterful Park Studios (The Hellacopters, Graveyard) production, Opeth’s usual five-star musicianship, and lyrics entirely in Swedish, “In Cauda Venenum” raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of “In Cauda Venenum” shouldn’t distract from the quality presented in Opeth’s new songs, the lot of which sneak up and take control after repeated listens. “In Cauda Venenum” is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just Opeth being Opeth.
Shortly after the release of their 1985 debut, George Best, The Wedding Present gathered all their pre-LP singles and EPs onto a single album. Available once more on [PIAS], Tommy is the definitive look at their early work and remains one of the great albums of the mid-80's indie UK scene.
In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.
As we age, we face obstacles that are beyond our control. Some forces are internal: insecurity, anxiety, fear. Some are external: the loss of loved ones, an unjust system and the fragility of time. Yet the mark of maturity is how you respond when you realize you’re not in control. Where do you find your resilience?
This album is a reflection of us coming to terms with how to find our power in the face of an unfair world. These songs lead listeners past “where happy man searches, to a place only mad women know.” We question our purpose, our relationships, our faith. Trading the fears of our youth for the dread that rages within us as mature women.
With SATURN RETURN, our hope is that women can feel less alone in their journey through the modern world. We need each other more than we ever have; the less competition and the more inclusiveness and understanding, the better. We are southern women in the 21st century, convicted by our beliefs.
On his sophomore album, Full Hand, Indiana musician Kevin Krauter tackles complicated emotional states and ideas through elliptical songwriting that is at once poetic and truthful. "A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years," Krauter says, "just growing up and becoming more confident in myself...that process of looking inward and taking stock of myself." It’s not especially uncommon for artists to probe deep into their own psyche to uncover what makes them tic, but Krauter’s light touch feels like something all his own. On the album’s first single, "Pretty Boy," he sings, "Look ahead, say I see me now / Smiling at what used to stress me out / Cause it won’t be too long, but I’ll take my time with it / It won’t be too long till I come back home." There’s a palpable sense of joy in Krauter’s acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and he’ll be able to look back and find peace.
Stockholm, Sweden based HOLY aka Hannes Ferm is back with his third record Ryder, a massive step forward for the young artist. After 2018's hugely ambitious three-years-in-the-making glam-psych odyssey All These Worlds Are Yours which was released to acclaim from the likes of Consequence of Sound, Bandcamp Daily, Prog Magazine, The Line of Best Fit and more, Ferm decided to take a step in the opposite direction. Teaming up with producer Jacob Haage (El Perro Del Mar) for Ryder, Ferm's delivered an intimate synth pop record melding experimentation with conventional pop songwriting and again showcasing his ear for melodies, breaking new ground while still staying true to playfulness and immediacy that's been HOLY's signature from the start.
Craft Recordings is thrilled to announce the release of a vinyl box set celebrating one of music’s greatest gospel and soul groups, The Staple Singers. Set for a December 6th release date, Come Go With Me: The Stax Collectionpresents all of the group’s studio albums released on the iconic Memphis label, spanning 1968–1974, and features the Staples’ biggest hits, including “I’ll Take You There,” “Respect Yourself” and “If You’re Ready (Come Go with Me).” The six studio albums were cut from the original analog masters by Jeff Powell at Take Out Vinyl. The final, seventh disc offers rarities, non-album singles and several live recordings from the legendary 1972 Wattstax music festival. The seven discs come in heavyweight 180-gram vinylpressed at Memphis Record Pressing. Housed in a slipcase, the collection also includes a deluxe booklet with archival photos and new liner notes from American music specialist and curator Levon Williams (formerly of the Stax Museum and the National Museum of African American Music), and folklorist, ethnomusicologist and writer Dr. Langston Wilkins. The complete collection will also be released digitally, and the six studio albums will be available in hi-res 24-bit/192 kHz and 24-bit/96 kHz formats for the first time.
Honeymoon is the excellent debut album from Beach Bunny, the four-piece band out of Chicago. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles 'Dream Boy' and 'Ms. California' encapsulate the highs and lows the exiting the honeymoon stage of a relationship. The long-awaited debut LP 'Honeymoon' from Beach Bunny follows their breakout hit on Tik-Tok, 'Prom Queen' (65 million global streams, 518K+ TikTok videos). Honeymoon will be released on February 14th, 2020 following a major market tour with festival plays.
Creating their own experience of sonic space waves, Tan Cologne feels like diving into a secret pool, where Mazzy Star and CAN surf together on silky waves of sand dunes. Their debut album explores the dynamics of floating, through dreamy double vocals, swirling guitars, and rhythmic woven textures. "Cave Vaults on the Moon in New Mexico is like a new genre of southwestern gothic, Cocteau Twins meeting Wall of Voodoo" - Backseat Mafia
Grammy-winning and BRIT and Mercury-Prize-nominated artist La Roux returns with her first new material in five years - 'Supervision' out February 7th 2020 on her own label Supercolour Records. From cover to contents, this is unequivocally the album Elly Jackson always wanted to make - a claim that with some artists might ring alarm bells, but in this instance simply means that ‘Supervision’ sounds precisely, unmistakably, gloriously like La Roux.
La Roux shot to worldwide fame with her debut self-titled album in 2009 selling over 6 million singles worldwide and - in addition to collaborations with the likes of Skream, Kanye West, and Major Lazer – helped reshape pop as we now know it. Elly’s second album, 'Trouble In Paradise', was a critically-adored reinvention, topping the Dance/Electronic charts in the US and landing La Roux her second top 10 album in the UK.
With their ninth album, Nada Surf: Matthew Caws, Daniel Lorca, Ira Elliot, and Louie Lino continue pursuing their humanistic vision of the world through hooky, catchy rock songs with sharply drawn, yet tenderly felt lyrics. Never Not Together, is a compact, yet wide-ranging collection of songs that revel in the quartet's ability to evoke and reflect grand and intricately wrought emotions, whether through sweeping guitar solos or hushed-whisper vocals. Never Not Together was recorded at the Coach House Studio in Wales' Rockfield Studios, where artists like Echo & the Bunnymen, the Flamin' Groovies, and Dumptruck recorded albums. "I've been seeing the name on albums for so long," says Caws. "It's a working farm, and the founder/owner, Kingsley Ward, would come in and tell us stories when he wasn't farming. I'd walk into town every morning and listen to the sheep talking as I walked by them."That openness to listening to their fans, to each other, to the world has helped inform Nada Surf's legacy as down-to-earth rock stars musicians who can command festival stages around the world while connecting to audience members on a personal level, conscious of the shared humanity every step of the way.
Christopher Paul Stelling is a guitar virtuoso, a folk singer- songwriter and a touring troubadour. His new album Best of Luck was produced by Grammy award winning musician-producer, Ben Harper.The album's title, Best Of Luck, mirrored perfectly the emotional landscape in which it was created. "Depending on how you say it, it can either be a blessing or a dismissal," Stelling says. "And that was exactly the point I was coming to with myself, my career as an artist, as a friend and as a person." Harper and Stelling met a few years back when Harper invited Stelling to open a series of shows. "Ben gave me a true gift back then," Stelling says. "I'd been on the road for a long time and he put me onstage in front of his fans. He took me to the Beacon, The Ryman, Massey Hall, all these legendary rooms. Just to see that what I could do would even translate in spaces like that was revelatory."When Harper talks about his admiration for Stelling,. "A guy that can play any instrument from any country and play it with real feeling. He crosses genres but manages to respect them; he is a folk singer with an unusual soulfulness. He understands where this music comes from and why it's remains so essential. Of all the record's I have produced, this is one I'm most proud of."
Driving anywhere in Texas can cost you half a day, easy. For example, it'll take you over four hours just to get from R&B singer Leon Bridges' hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you're in. And it's all baking under the Texas Sun that lends it's name to Bridges and Khruangbin's new collaborative EP. "Big sky country, that's what they call Texas," Khruangbin bassist Laura Lee says. "The horizon line goes all the way from one side to another without interruption. There's something really comforting about that." On Texas Sun, these two members of the state's musical vanguard meet up somewhere in the middle of that scene, in the mythical nexus of Texas' past, present, and future-a dreamy badlands where genres blur as seamlessly as the terrain. It calls equally to the cowboys boot-scooting at Billy Bob's in Fort Worth, the chopped-and-screwed hip-hop fans rattling slabs on the southside of Houston, the art-school kids dropping acid in Austin, the cross-cultural progeny who grew up on listening to both mariachi and post-hardcore out on the Mexican borders of El Paso. All of these things, overlapping in a multicolored melange, purple hues as vivid and unpredictable as one of the state's rightfully celebrated sunsets. A journey through homesick reminiscences, backseat romances, and late-night contemplations, the kind of record made for listening with the windows down and the road humming softly beneath you. Like the highways that inspired it, Texas Sun is guaranteed to get you where you're going-especially if you're in no particular hurry to get there.
ANDY SHAUF is becoming one of the most important songwriters of his generation. His songs are tuneful vignettes of small moments and big hearts. On his latest, The Neon Skyline, Shauf intertwines stories of a group of friends who frequent a local dive bar, and through them, makes poignant observations about human nature with a novelist’s detail and melancholic humor. The songwriting is down to earth, yet sophisticated and inventively melodic. The Neon Skyline is a creative leap for this already acclaimed artist.
Aurora features reimagined versions of the band’s biggest and most popular songs with special guests including Lacey Sturm (ex-Flyleaf), Scooter Ward(Cold) and Spencer Chamberlain (Underoath), to name a few. Speaking about Aurora, BREAKING BENJAMIN’s founder/frontman, Ben Burnley, had this personal message to share,”This album is a celebration of our incredible fans; for those who have been there since hearing ‘So Cold’ for the first time in 2004, and the new ones who have joined us on this amazing journey along the way. We’ve always shared a unique emotional connection to our music with our fans, and this album attributes to those dark times and euphoric ones. From wherever you joined along the road to Aurora, this one is for you. Thank you.”
Recorded over the course of a series of freewheeling, improvisatory sessions, Kingdom In My Mind is The Wood Brothers seventh studio release and their most spontaneous and experimental collection yet. A testament to the limitless creativity of the unharnessed mind, the record explores the power of our external surroundings to shape our internal worlds (and vice versa), reckoning with time, mortality, and human nature. The songs here find strength in accepting what lies beyond our control, thoughtfully honing in on the bittersweet beauty that underlies our pain and sadness with vivid character studies and unflinching self-examination. Deep as the lyrics dig, the arrangements always manage to remain buoyant and light, though, drawing from across a broad sonic spectrum to create a transportive, effervescent blend that reflects the trio s unique place in the modern musical landscape.
2019 is the 40th anniversary of Elton John's historic first tour of Russia - he was the first Western rock star to ever perform in the country. The show in Moscow on 28th May 1979 with Ray Cooper was broadcast on BBC radio in the UK. This release is taken from the original broadcast masters, which have been remastered by Bob Ludwig at Gateway Mastering. Now available on 180g, 2 LP vinyl in gatefold package.
It's country music but not as we know it which begs the question: Have these Bad Kids of 21st Century rock 'n' roll finally grown up on their ninth studio album? Are they at peace with themselves? Have they made a record their parents could listen to? The Black Lips new album 'Sing In A World That's Falling Apart' continues to flick the middle finger to one and all. This ain't another gaggle of bearded southern sons fleeing their collective suburban upbringings and collegiate music education. There aren't the usual clichés about drinking, honkytonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre by not sounding or dressing their musical predecessors. They also dug contemporary hip-hop and punk and actualized themselves Like so many dramatic moments in the Black Lips career, 'Sing In A World That's Falling Apart' was born out of crisis. The band's stylistic evolution through decades of prolific touring and recording took them where no garage punk band had gone before - huge venues, network television shows, and major music festivals. Here Black Lips are at their grimiest, most dangerous and equipped with the best collection of songs since the aughts. Skidding onto the asphalt in a shower of sparks, they roll on with an unapologetic southern-fried twang, pacing the beast, every now and then dropping a psycho howl into the rubber room madness lurking underneath the truckstop fireworks. This ain't your granny's country album. And conversely this ain't your mama's Black Lips.
This definitive pressing of Silkworm's second album In the West marks its first appearance on vinyl. It has been remixed from the original 2" tape at Electrical Audio in Chicago with Steve Albini, who also engineered the original recording in 1993.
Limited to 1,500 copies worldwide.
In addition to the album, supplemental material for this release includes new liner notes by Silkworm's Tim Midyett, single-only tracks 'Incanduce California' & 'In The Bleak Midwinter' plus a live version of The Dream Syndicate's 'Halloween' recorded at Chicago's Lounge Ax in 1994.
"Like the brightened cover tweaks suggests, Silkworm's relevance was always there; it just took 25 years for some of us to notice." - Northwest Music Scene
Kilo Kish's REDUX EP marks a revival of creative power, personal authorship, and DIY techniques. What Kish describes as "an homage to what we can make ourselves." Redux explores Kish's varying musical influences, including electronic, synth, alternative, hip hop, and dance-punk. In this fourth collaboration with producer Ray Brady, we find increasing freedom and boldness through continued partnership.
...And You Know Us By The Trail Of Dead are celebrating their 25th year as a band in 2020 and they will be releasing their 10th album "X: The Godless Void and Other Stories" on 1/17 via Dine Alone. This is their first album since 2014.
An eclectic remix package of St. Vincent's Grammy award winning album MASSEDUCTION, curated by Nina Kraviz. From frantic IDM and manic footwork to glistening house and meditative dubstep (via just about everything in between) her selections build an inspired portfolio from an abundance of talent. At times fragmented, at others familiar, it takes the spirit of MASSEDUCTION and runs with it in every way possible.
The debut solo album from Marcus King, El Dorado, is a revelation. Passionate, penetrating and deeply soulful, El Dorado weaves soul music, gospel, R&B and country into a something modern and classic. Teaming with producer Dan Auerbach (The Black Keys) for sessions at Auerbach’s Easy Eye Studio in Nashville, the pair co-wrote the 11 songs on El Dorado along with esteemed writers on various tracks including Pat McLaughlin, Paul Overstreet and Ronnie Bowman.
Dwight Yoakam occupies a singular position in contemporary country. No artist has better balanced mainstream commercial success with artistic, alt-country credibility, while somehow managing to embody both the music’s most traditional and its most progressive impulses. Blame the Vain marks a milestone for Yoakam as his first self-produced effort since splitting with producer/guitarist/bandleader Pete Anderson. Released in 2005 to critical acclaim, Blame the Vain has sold nearly 200,000 records to date. In honor of the 15th anniversary of this album, New West Records is proud to present Blame the Vain on vinyl for the first time.
Raw Youth Collage is the sophomore project from British artist Mura Masa. It is intended to be a conceptual album focusing on the need for / dependency on nostalgia and regression in the wake of the often helpless feeling amongst today's youth culture; there is a general melancholia surrounding a past excitement and innocence that is longing to be recaptured, but may never have existed. Musically, these ideas will be explored through influences familiar to Alex from his childhood.
4AD’s first album of the Nineties, The Comforts of Madness by Pale Saints, is receiving a long overdue reappraisal on the occasion of its 30th anniversary. The reissue includes remastered audio and a bonus disc of rarities.
Marigold is an urgent, multivalent meditation—and an expanded take on the blend of alt-country, indie rock and cerebral humanism that’s inspired the band’s ardent fan community. It marks their Rough Trade Records debut, offering what songwriter Evan Stephens Hall calls a “heart-first” perspective.
Algiers return in 2020 with third album ‘There Is No Year’, which will be released January 17th on Matador Records. ‘There is No Year’ solidifies and expands upon the doom-laden soul of their foundation, toward an even more epic, genre-reformatting sound, one somehow suspended in the amber of “a different era,” as described by guitarist Lee Tesche.
Animal Collective's Deakin is issuing his 2016 album Sleep Cycle on vinyl and CD. Written and recorded between 2010 and 2016, it was originally released in April 2016 via digital and a limited run of cassettes. On the album, Deakin said, 'Sleep Cycle is about the cycles that we go through being shut down by fear and doubt and how to return back to being awake to life. The songs were written as a form of self medication, meditations on waking up in the face of fear.'
Deluxe double vinyl LP pressing including bonus tracks. 2019 release. The great Bill Fay returns with the third album in the celebrated second phase of his recording career. "21 years ago, Colin Miles of See For Miles records dropped a pebble in a pond." says Fay. It was Miles who, on a gut instinct, reissued Bill Fay's albums for Deram - records made in 1970 and 1971 and deleted shortly afterwards - which Miles had always admired. Rave reviews and endorsements from the likes of Jim O'Rourke (Tortoise) and Jeff Tweedy (Wilco) led to a huge revival of interest in this vanished artist. Fay, now 76, was not actually a hermit but a quiet, private person who had withdrawn from a music world changed to the point where he felt no longer involved. But he had continued to make music almost every day in the intervening decades. "Colin said to me, 'You wanna get out there, Bill'," Fay says, chuckling at the memory. "I replied, 'I'm a corner-of-the-room person, Colin'."