Lead singer and lyricist Guy Garvey describes the album as“an angry, old blue lament which finds its salvation infamily, friends, the band and new life.”It is a record that lyrically takes in moments of deep personal loss whilst reflecting its times by confronting head-on the spectres of injustice and division not just in the UK but across the world. It is a record that could only have been made in the 21stCentury.
Selections From The Vault features tracks taken from Steve Miller’s career spanning deluxe 3 CD + DVD box set, Welcome To The Vault. The clear vinyl 1LP edition features 8 tracks, all of which are previously unreleased. Highlights include Rock’n MeAlternate Version 1, Crossroads Live and Fly Like An EagleAlternate Version, plus Steve Miller’s version of Love Is Strange, which has never appeared on a release until now.
On their fourth LP (after Allah-Las, Worship The Sun and Calico Review), drummer Matt Correia, bassist Spencer Dunham, and guitarists Miles Michaud and Pedrum Siadatian A.K.A Allah Las turn their collective gaze outward and toward the horizon. Simply titled LAHS (a reference to a common misspelling of the band’s name), their forthcoming release on Mexican Summer finds the band turning in their most cohesive and ambitious work yet. “We’ve been traveling a lot the past couple years and I think that played a role in influencing the broader variety of songs on this record” Correia explains. And this is precisely what sets LAHS apart from its predecessors -- a record inspired less by time, but by place. “LAHS to me feels like a soundtrack to the past 5 years or so. A sort of audio postcard to anyone who wants to listen.”
PETRA was written, produced, and performed by acclaimed multi-instrumentalist/ songwriter Anthony LaMarca, also known for his role as guitarist in The War On Drugs. Like so many Midwestern musicians before him, LaMarca left his beloved hometown of Youngstown, OH for Brooklyn but returned in 2014 and began work as The Building, often joined by his brother Angelo (guitar) and wife Megan (cello) on a series of EPs and albums – including 2017’s acclaimed RECONCILIATION – released via Peppermint Records.
PETRA – which shares its name with the LaMarcas’ beloved German Shepherd – is a bare-boned, often brutally blunt, new work from a gifted musician-songwriter forced by fate to confront life’s hardest truths and consequences. LaMarca had just begun recording at Youngstown’s Peppermint Productions – a vintage studio facility best known for producing everything from polka superstar Frank Yankovic to the Judge Judy theme song – when a spell of intense back pain led to his being diagnosed with Multiple Myeloma. Originally, LaMarca was diagnosed in the middle of making Reconciliation. He immediately started treatment, which brought the disease into complete remission. His disease relapsed last year while in the middle of making PETRA." The experience inspired a second meaning to the album’s title, the acronym P-E-T-R-A, or “Peace’s Eternal Truth Renews All.” Moreover, LaMarca’s physical struggle has resulted in the most powerful work of The Building’s still-growing canon, a vivid series of deeply personal songs such as “Purifer” and the LP-opening “Transformed,” made even more impactful through strikingly simple arrangements and raw, heartfelt performance.
This Limited Edition Freddie Mercury solo career hard slipcase box set includes 3CDs, DVD/Blu-ray, 120-page hardback book featuring rare photos of Freddie + quotes, Poster + Postcard.
Iconic. Incomparable. Irreplaceable. But never, ever boring. Freddie Mercury's spirit is every bit as central to the fabric of popular music today as it was during his unforgettable lifetime. Now comes a unique release to showcase the full range of his musical talents and passions, and their indelible imprint on the worlds of pop, opera and far beyond.
“It's like a coming-of-age crisis,” says Daniel Shultz about Out of the Blue, the messy and melodic debut album from his band, Dan Luke and The Raid. “It’s about being in that space in your 20s where you’re trying to get your shit together and figure things out in life. You’re dealing with your problems”—the singer, songwriter and guitarist pauses—“even as you’re going out and partying and getting into trouble all the time.”
Shultz and his Dan Luke & The Raid band mates know a thing or two about the last part of that equation, as evidenced by the songs and subject matter on Out of the Blue. Throughout the album’s 10 tracks, people are passed out on curbs under neon signs (“Black Cat Heavy Metal”), breaking hearts over rolled-up dollar bills (“Exoskeleton”), leaving baggies lying in passenger seats (“Money Mouth”) and faking smiles and feeling ashamed (“Golden Age”). Legs are bleeding, faces are numb and Shultz declares his band to be the “diamond kings of smut.” All the while, the music throbs and pulses and twitches and buzzes with the energy and enthusiasm and inexperience of youth, bursting with harsh, distorted guitar chords, blown-out synths squiggles and hopped-up rhythms—as well as, on occasion, moments of stunning and sincere melodic beauty.
With the weight and experience of events that have been at times joyful and sad, poignant and puerile, triumphant and tragic, Dan Luke and The Raid continue to carve out their future, one musical moment at a time. “What we want to do is create music, and create music in a way where people feel something,” Shultz says. “And when we see that happening it’s an amazing thing.”
Down ‘n’ OutzJoe Elliott’s side project away from Def Leppardrelease their brand new Studio album This Is How We Roll. The band is founded and fronted by Def Leppard’s Joe Elliott and backed by members of The Quireboys, Wayward Sons and Vixen. This album made up of original songs all written by Joe Elliott (bar a cover of the Tubes White Punks on Dope is the band’s first album since the Further adventures of was released in 2014. The album produced by Joe and long time Def Leppard engineer Ronan McHugh is the first to contain new songs (the previous albums were as mentioned cover versions) and sees the band channeling a very 70’s feels over 11 new songs and one cover version.
Born on the streets of Los Angeles, Starcrawler is a band possessed by the spirit of its own hometown, every movement charged with a manic electricity. Since forming in 2015, vocalist Arrow de Wilde, guitarist/vocalist Henri Cash, bassist Tim Franco, and drummer Austin Smith have gone from bashing out classic-punk covers in the garage to winning the love of such legendary artists as Shirley Manson and Elton John. They’ve also opened for the likes of Beck, Foo Fighters, Spoon, and MC5, bringing their unhinged energy to an already-fabled live show—a spectacle that’s simultaneously lurid and glorious and elegant as ballet. On their sophomore full-length Devour You, Starcrawler captures that dynamic with a whole new precision, revealing their rare ability to find a fragile beauty in even the greatest chaos. Produced by Nick Launay (Nick Cave & the Bad Seeds, Yeah Yeah Yeahs, L7), Devour You takes the feral intensity of their 2018 self-titled debut and twists it into something grander and more gracefully composed. With its more elaborate and nuanced yet harder-hitting sonic palette, the album came to life at the famed Sunset Sound, where the band spent their downtime playing H-O-R-S-E at the basketball hoop and drinking lots of Mexican Cokes. Adorned with so many unexpected flourishes—choir-like backing vocals from a local Girl Scouts troop, tuba and trombone riffs courtesy of Cash (the band’s 18-year-old musical polymath)—the result is a selection of songs radiating both raw sensitivity and untamable power. Heavy and swinging and brutally catchy, “Bet My Brains” shows the psychic kinship at the heart of Starcrawler’s songwriting. “That song came from thinking about the mole people in New York and Vegas and the Catacombs in France, and the underground village of people who live in the sewers of the L.A. River,” says de Wilde. “I was fascinated with the fact that there’s whole other world happening right under our feet.” Elsewhere on Devour You, Starcrawler drifts from the dreamy piano lilt of “No More Pennies” to the rock-and-roll disco of “You Dig Yours” to the pure punk vitriol of “Toy Teenager” (a song about de Wilde’s refusal to be abused the fashion industry, and about how “people look at my body and just want to put me on a platter”). And on “Born Asleep” the band lets their love for country music shine, slipping into a modern-day murder ballad spiked with pieces of hazy poetry (sample lyric: “I remember when you cut your lip, sippin’ on a soda can/And the time when you fell and tripped, screaming at the ice cream man”). As an antidote to the toxic mildness overtaking so much of the city, Starcrawler’s live show has only become more outrageous over the years. Prone to spitting fake blood and slapping phones from the hands of crowd members, de Wilde has proven to be a once-in-a-lifetime performer, captivating enough to command a room with just the widening of her eyes. “We want to put on a real show and give people some kind of escape from all the shit going on in the world,” she says. “And with the album, I want people to put it on and feel excited, and hopefully get goosebumps. I always want there to be a dramatic response.”
Busting onto the scene in 2012, Waterparks have always been a band with hard-hitting lyrics and quirky personalities. On their latest album 'Fandom, ' releasing October 11, 2019, they bring their music to the next level, addressing everything from the familiar themes of heartbreak and depression to polarizing topics such as the hate rock bands often receive for wanting to make a living.
Aptly entitled “For The Dead Travel Fast” after German gothic poet Gottfried August Bürger, Kadavar’s doomed fifth record is a perilous journey into the land of the dead, a foray into the bleakest corners of our minds. A heavy, slow-paced, throbbing force of guitar, bass and drums, preciously enriched by spooky synths and a brooding narrative reminiscent of the Victorian death-cult. Beware, this is Kadavar gone pitch-black! Think Hawkwind with old Pink Floyd melodies, eerily sung to you from the grave. Just like the album cover, taken in front of Dracula’s alleged crib in Transylvania, mysterious Castle Bran, the whole album is drenched in superstition, Romanian folklore and the mysterious ways of our psyche. Self-recorded and self-produced , “For The Dead Travel Fast” is Kadavar’s very own death cult, an album at the same time uncanny and extremely powerful.
Ode to Joy - the 11th studio album from the pioneering Chicago rock band Wilco - will be released Oct. 4 via dBpm Records. The album features 11 new songs written and produced by Jeff Tweedy and recorded by Wilco at the bands' own Chicago studio dubbed The Loft.
The Avett Brothers have announced a new album called Closer Than Together. The band’s tenth full-length to date arrives October 4th via American/Republic Records.
In a lengthy mission statement announcing the album’s release, Seth Avett said the band “didn’t make a record that was meant to comment on the sociopolitical landscape that we live in. We did, however, make an album that is obviously informed by what is happening now on a grander scale all around us… because we are a part of it and it is a part of us. Closer Than Together is a record of obvious American origin – a creation that fittingly could only come about through hard work, measured freedom, awe-inspiring landscapes, and perfectly flawed individualism.
“The Avett Brothers will probably never make a sociopolitical record,” Avett added. “But if we did, it might sound something like this.”
The descent into darkness is a trope we find time again across history, literature and film. But there's also an abyss above. There's a winding white staircase that goes ever upward into the great unknown - each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen. Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, All Mirrors, we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance. "In every way -from the making of it, to the words, to how I feel moving forward- this record is about owning up to your darkest side," Olsen said. "Finding the capacity for new love and trusting change, even when you feel like a stranger. This is a record about facing yourself and learning to forgive what you see. It is about losing empathy, trust, love for destructive people. It is about walking away from the noise and realizing that you can have solitude and peace in your own thoughts, that your thoughts alone can be just as valid, if not more."
Philadelphia-based punk band, The Menzingers are set to release their sixth studio album, Hello Exile. Produced by Will Yip (Title Fight, Quicksand), the album is the follow-up to the band’s 2017 critically acclaimed release After The Party.
Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the band take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, Hello Exile ultimately maintains the irre- pressible spirit that’s always defined the band.
The Menzingers are: singer/guitarists Greg Barnett and Tom May, bassist Eric Keen, and drummer Joe Godino.
'A forgotten roll of film was found. Shot before the turn of the century, the photographs resonate with music. The images inspired an accompanying soundtrack. The music is full of stories. The songs and stories originate in two neighboring rural counties. The cast of characters includes four families of Mississippi musicians, three generations deep, and a photographer from Texas.' - Luther Dickinson In 2017, Wyatt McSpadden found an old roll of film and tracked down members of North Mississippi Allstars to share his forgotten photographs. The images were so profound and so beautiful that they would come to inspire the latest recording, Up And Rolling. The images inspired the band to ask, 'What did the music sound like that night in 96? What does Mississippi music sound like now? What would ideally be on the push button AM/FM radio as we drove thru the hills?' The North Mississippi Allstars would return to the famous Zebra Ranch to record Up And Rolling, inspired by Wyatt's images. They gathered together, trimmed back the wisteria, and swept out the converted barn recording studio. The fired up the tube amps and old computers and began conjuring up modern Mississippi music, ancient and futuristic all at once. Telling it how it was and how they think it should be. Up And Rolling is modern Mississippi. Transcending time and space, the music reaches out into the dark of night like the wisteria vine, looking for free hearted souls to latch onto and wedge into the foundation of hate, slowly tearing down walls a generation at a time.
City and Colour's sixth studio album will be entitled A Pill For Loneliness and will be released on October 4, 2019. The Orchard has WW rights ex. Canada, Australia, New Zealand. This will be the first new music from City and Colour in four years (almost to the date). The album was produced and mixed by Jaquire King (Kings Of Leon, Tom Waits, Modest Mouse, Norah Jones and more) and mastered by Emily Lazar (Beck, Coldplay, Dolly Parton, The Chainsmokers and more).
Pop futurist Charli XCX has returned with her highly anticipated third studio album Charli. The album is a collection of 15 songs and feature the hit singles "1999 (Ft. Troye Sivan)" and "Blame It On Your Love (Ft. Lizzo)." The album also features collaborations with Christine and the Queens, Haim, Sky Ferreria, Big Freida, Clairo and more!
The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you'd find in Wood Mountain, Saskatchewan (population very few.) The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home. Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, A beautiful album that nudges a classic past into a brave future.) and 2017's The Sirens Song (described by Uncut as Ageless and beguiling. A classic record for this or any other time.) Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry's Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.
Beloved singer-songwriter Joshua Radin returns with his new album "Here, Right Now" produced by Tony Berg (Phoebe Bridgers, Andrew Bird) proving once again that love and the complications surrounding it to be his songwriting forté.
Ill Communication is the fourth studio album by the Beastie Boys. It was released on May 31, 1994 by Grand Royal Records. Co-produced by Beastie Boys and Mario C and featuring the singles Sabotage, Get It Together, Sure Shot, and Root Down. Pressed on Limited Edition 180-Gram Silver Metallic vinyl.
Paul's Boutique is the second studio album from the Beastie Boys. Released on July 25, 1989, on Capitol Records, it was produced by the Dust Brothers and features the singles Hey Ladies and Shadrach. Pressed on Limited Edition 180-Gram Translucent Violet vinyl and spread across 2LP’s for the first time ever.
To the 5 Boroughs is the sixth studio album by the Beastie Boys. The album was released on June 15, 2004 internationally, and debuted #1 on the Billboard 200. Featuring the singles Ch-Check It Out, Triple Trouble, Right Right Now Now, and An Open Letter To NYC. Pressed on Limited Edition 180-Gram Blue Vinyl.
Mika’s musical success began with the release of his hit single, “Grace Kelly.” The single was featured on his debut album, Life In Cartoon Motion, which went straight to #1 in the UK and 11 other countries, going on to sell over 7 million copies worldwide. Since his debut he has released three other Platinum selling full length albums, The Boy Who Knew Too Much, The Origin of Love, and No Place In Heaven.
Acclaimed guitarist Bill Frisell has signed with Blue Note and will release his debut album for the label under his own name with HARMONY, a gorgeous and evocative journey across the landscape of American music of the last century. The album features vocalist Petra Haden, cellist & vocalist Hank Roberts, and guitarist, bassist & vocalist Luke Bergman.
This limited edition Deluxe vinyl box set features all 40 tracks from the Super Deluxe collection on three 180-gram vinyl LPs. The album’s new stereo mix LP is packaged in a faithfully replicated sleeve, with the two Sessions LPs paired in their own jacket, presented with a four-page insert in a lift-top box. Giles Martin, working with Sam Okell, from the original eight-track session tapes, was guided by the album’s original mix supervised by his father, George Martin.
Genre-bending band Whiskey Myers have played nearly 2,000 live shows since their emergence in 2008 and have sold out more than 115 headlining shows in the last year alone. As Esquire proclaims, "Whiskey Myers are the real damn deal." USA Today describes the band led by frontman Cody Cannon as "a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin," with Rolling Stone noting "it's the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot." Their most recent album, Mud, reached No. 1 on the iTunes country chart with single "Stone" hitting Top 10 all genre and their fifth studio album, which they self-produced for the first time, is set for release this fall. Whiskey Myers was featured in Paramount Network's new Kevin Costner hit show "Yellowstone" with synced songs throughout season one as well as an appearance by the band in episode four as part of the storyline, with the band set to return with additional synced songs in season two.
What happens when a nation that was born to run, and to rev engines into the wild frontier, runs into the full stop that is our current social and political climate? The answer, my friend, is somewhere “In the Morse Code of Brake Lights,” as The New Pornographers would have it on their eighth album. There’s a deep climatic unease running through these 11 tracks that’s matched only by the sheer musical glee with which the band addresses the prevailing mood of the moment. It’s an album in which foreboding and bliss somehow go hand in hand—mixing founder A.C. Newman’s nearly symphonic levels of pop arrangement and harmony with a careening quality that feels unsafe at any speed (to quote the famous Ralph Nader phrase that the opening track also borrows).
Like a personal fantasy, Tove Lo invites you close enough to see, hear, and feel the moment just before it evaporates back into the ether once more. In 2018, she officially relocated to Los Angeles and dove headfirst into creating her fourth full-length, Sunshine Kitty. It represented a new season for Tove marked by a reclamation of confidence, hard-earned wisdom, more time, and a nascent romance. It starts with the confident and catchy single “Glad He’s Gone.”
In 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled “Le chat dans le sac” (“The Cat in the Bag”). In June of that year, Coltrane’s ‘Classic Quartet’ entered Rudy Van Gelder’s studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.
Twenty years into their career, Tegan and Sara have recorded a new album that is based on the first songs they ever wrote. Hey, I’m Just Like You – their ninth studio album overall and first since 2016’s Love You to Death – will be released on September 27 on Sire.
Hey, I’m Just Like You is a return to Tegan and Sara’s rock and punk roots, with a punch of pop production. Recorded in Vancouver, Canada in April and May 2019, the album recasts the remarkable innate songwriting talents both possessed as teenagers, and allows these previously unreleased songs to benefit from the studio expertise they have gained in the past two decades – a period that has seen them release eight studio albums, earning seven Gold certifications and one Double Platinum certification in the process. Defiant and melodramatic, the songs capture the exultation and grief of first loves, first losses, ecstatic kiss-offs, and psychedelic tributes to friendship.
Platinum-selling artist Jon Pardi announced his highly-anticipated new album, tour and single titled Heartache Medication. Set for release on September 27, Pardi's upcoming album, Heartache Medication, includes the album's lead single and title track Co-written by Pardi, Barry Dean and Natalie Hemby, Pardi revealed the new single showcases a taste of what is to come on the next record exclusively to the Associated Press, noting the songs lift you up. They put you in a higher place. "The single 'Heartache Medication' has an 80's George Strait 'Fool Hearted Memory' feel to it, and is something people can dance to, said Pardi. That's something I really wanted for this album. There really are no sad songs on this record-it covers a range of subjects, but is ultimately about moving on, and having a good time. Recognized for his "state-of-the-art blend of traditional instrumentation and progressive grooves that points to country's future (Rolling Stone) and as a leader among a growing number of artists bringing back fiddle, steel and twang while still finding ways to freshen the sound (People), Pardi again serves as a co-producer on the new album, Heartache Medication. Heartache Medication is the follow up to Pardi's co-produced Platinum-selling breakthrough #1 album California Sunrise, which featured Multi-Platinum, chart-topping hits including Dirt on My Boots, Head Over Boots, Heartache on the Dancefloor and Night Shift." The CMA and ACM Award-winner also revealed plans for his HEARTACHE MEDICATION TOUR
Chart-topping alternative band Boy & Bear's fourth studio album Suck on Light is a triumphant return after lead singer Dave Hosking's battle with illness and eventual recovery. The album follows his excruciating journey and the beauty that came on the other side. Produced by Collin Dupuis (Lana Del Rey, Cage the Elephant, Black Keys).
Wire Mountain is Will Johnson's 6th solo album and sits atop a back catalog that includes Centro-matic, South San Gabriel, Marie/Lepanto, and Molina Johnson. When he's not writing and recording his own projects he's often contributing to others, like co-producing Austin Lucas' Immortal Americans, or playing drums in Strand of Oaks. Wire Mountain is Johnson's second album recorded with Britton Beisenherz at his Austin studio Ramble Creek Recording and together they further develop new palettes and textures for Johnson's songs, this time enlisting fellow Austinites Thor Harris (of Swans and Thor & Friends) and minimalist folk-duo Little Mazarn to help shape and define them. Britton also plays on the album, along with Austin legend Jon Dee Graham. "Cornelius" begins with a squall of feedback before giving way to acoustic guitars and an anthemic chorus that plunges into a dizzying electric guitar solo. "A Solitary Slip" is fragile folk, a lilting lullaby of finger-picked guitar, plucked banjo, and single piano notes with Little Mazarn's Lindsey Verrill mirroring Johnson's words. The last track is a hopeful instrumental, a calm before the next thing. "(You Were) Just Barely You."
Stars Are the Light, the luminous seventh album by the American psych explorers Moon Duo, marks a progression into significantly new territory. From a preoccupation with the transcendental and occult that informed Ripley Johnson and Sanae Yamada's guitar-driven psych rock, and reached it's apotheosis in the acclaimed Occult Architecture diptych, Stars Are the Light sees the band synthesize the abstract and metaphysical with the embodied and terrestrial. Says Yamada: "We have changed, the nature of our collaboration has changed, the world has changed, and we wanted the new music to reflect that." Branching out from Occult Architecture Vol. 2, the album has a sonic physicality that is at once propulsive and undulating; it puts dance at the heart of an expansive nexus that connects the body to the stars. These are songs about embodied human experience - love, change, misunderstanding, internal struggle, joy, misery, alienation, discord, harmony, celebration - rendered as a kind of dance of the self, both in relation to other selves and to the eternal dance of the cosmos. Taking disco as it's groove-oriented departure point, Stars Are the Light shimmers with elements of '70s funk and '90s rave. Johnson's signature guitar sound is at it's most languid and refined, while Yamada's synths and oneiric vocals are foregrounded to create a spacious percussiveness that invites the body to move with it's mesmeric rhythms. With Sonic Boom (Spacemen 3, Spectrum) at the mixing desk in Portugal's Serra de Sintra, (known to the Romans as "The Mountains of the Moon") the area's lush landscape and powerful lunar energies exerted a strong influence on the vibe and sonic texture of the album. On embracing disco as an inspiration, Yamada says, "It's something we hadn't referenced in our music before, but it's core concepts really align with what we were circling around as we made the album. Disco is dance music, first and foremost, and we were digging our way into the idea of this endless dance of bodies in nature. We were also very inspired by the space and community of a disco - a space of free self-expression through dance, fashion, and mode of being; where everyone was welcome, diversity was celebrated, and identity could be fluid; where the life force that animates each of us differently could flower."
James McVinnie is known as one of the worlds leading organists. His work as a performer encompasses music from the 16th century to the present day. He has collaborated with many leading figures in new music including Philip Glass, Angelique Kidjo, Nico Muhly, Martin Creed, Richard Reed Parry, Bryce Dessner, Darkstar, Hildur Guðnadóttir, David Lang, Sarah Davachi many of whom have written large scale works for him.
Here he collaborates with Tom Jenkinson on eight pieces composed by Jenkinson specially for McVinnie. It was performed and recorded over one night in 2016 on the extraordinary and much-admired 1954 Harrison & Harrison organ at London's Royal Festival Hall. Jenkinson has already established himself as a composer in his work with Charles Hazelwood and the London Sinfonia reimagining 'Ufabulum' for orchestra and also for the BBC composing a one hour piece 'Daydreams' on CBeebies, narrated by Olivia Coleman. 'All Night Chroma' further showcases the breadth of Jenkinson's talent away from the electronic sounds that form the basis of his work as Squarepusher.
Desert Dove is the new album from Michaela Anne and her first on Yep Roc Records. It was recorded in LA and produced by Sam Outlaw and Kelly Winrich (Delta Spirit). Michaela has been lauded for her timeless voice and narrative depth and this record takes that to the next level. The songwriting is confessional and unforgettable without being saccharin or self-indulgent; the tracks call to mind Michaela's diverse influences - everything from Stevie Nick's powerful voice and Fleetwood Mac's vibey arrangements to the Dixie Chick's incredible balance of conviction and catchiness - all showcasing her stellar voice and distinct vision.
Produced by Grammy Award-winning producer Dave Cobb, this newest offering by Colter Wall was recorded at Nashville's historic RCA Studio A. Wall's sound is comprised of resonate and raw baritone vocals, folk and bluegrass style guitar and banjo picking, steady kick-drum stomping, and visually provoking, story telling lyrics.
The Hot Rats Sessions box set celebrates the 50th anniversary of one of the greatest albums in the history of recorded music. The original 1969 Frank Zappa album was the first record to be recorded on a prototype 16-Track Tape Machine. Self-described as a 'Movie For Your Ears,' it was technically the second solo outing for the composer and the album that put FZ on the map as a guitar player. The recording sessions produced a wealth of material that ended up being sprinkled among multiple releases during FZ's lifetime. This mammoth six disc collection documents and compiles every composition recorded during those days in July 1969, along with an abundance of rare mixes, Vault nuggets and complete basic tracks mixed from the original multi-track masters by Craig Parker Adams in 2019. Additional gems include images by original Hot Rats cover photographer, Andee Nathanson, and session photos taken by Bill Gubbins, liner notes by Matt Groening and essays by Ian Underwood, Andee Nathanson and Vaultmeister Joe Travers. The box set also includes a Zappa Land board game in celebration of this release with custom game pieces, dice and playing cards. Featuring 65 tracks, all but 6 tracks are previously unreleased. The 6 tracks previously available are from the 1987 CD mixes which have been out of print since 2012. Also available as a 1LP of the original album, pressed on hot pink vinyl, pressed at Pallas.
Three unique LPs specifically timed to be released throughout the first season of HBO’s Watchmen. Created in collaboration with the show’s writers, each LP features the score from Academy Award winners Trent Reznor and Atticus Ross as well as artwork and packaging exclusive to this vinyl release that explores the culture of Watchmen America and provides revealing insights into the saga's mythology and mysteries.
Alt-country trio Puss N Boots return with a new holiday EP featuring “Christmas All Over Again.” Comprised of acclaimed singer/songwriter Norah Jones on guitar, singer/bassist Catherine Popper and singer/guitarist Sasha Dobson. Puss N Boots first formed in 2008 as a live band performing around Brooklyn venues. After years of live performances, the trio decided to make a full-length album which resulted in their Blue Note Records debut No Fools, No Fun. The album was praised by Rolling Stone, Paste, American Songwriter and led to performances on The Tonight Show with Jimmy Fallon and CBS This Morning. The group also appeared at numerous festivals including the Clearwater Festival, Green River Festival, and the Newport Folk Festival and opened for Neil Young during his tour in July 2015.
An eclectic remix package of St. Vincent's Grammy award winning album MASSEDUCTION, curated by Nina Kraviz. From frantic IDM and manic footwork to glistening house and meditative dubstep (via just about everything in between) her selections build an inspired portfolio from an abundance of talent. At times fragmented, at others familiar, it takes the spirit of MASSEDUCTION and runs with it in every way possible.
Platinum-selling Liam has sold more than 18 million singles in just two years as a solo artist since leaving One Direction. His global smash hit debut single ‘Strip That Down’ featuring Quavo sold a huge 11.5 million copies worldwide and has been streamed over 1.8 billion times, while latest single ‘Polaroid’ sold two million copies. Liam has been streamed a staggering total of 2.7 billion times, making him the most successful solo artist of any current One Direction member.
Only The Song Survives is the definitive collection of John Hiatt's musical output spanning two decades of releases on New West Records. The vast box set includes eleven albums, spread across fifteen long play records, all pressed on high quality 180g vinyl. Four releases - Crossing Muddy Waters (2000), The Tiki Bar Is Open (2001), Beneath This Gruff Exterior (2003) and Master Of Disaster (2005) - have been remastered for vinyl and pressed on wax for the very first time. The box set's 48-page book is autographed by John Hiatt and features rare photos, testimonials, essays and insights from many of Hiatt's co-conspirators throughout his career - from Ry Cooder, Steve Earle, Sonny Landreth, Patterson Hood, Luther Dickinson, Rodney Crowell, James McMurtry and more.
In celebration of the 20th Anniversary of the band’s debut album Showbiz, Muse have announced the release of the deluxe boxed set Origin of Muse. This deluxe set will chronicle the band from their early beginnings in Devon, their early demos, first Eps, debut album and breakthrough record Origin of Symmetry.
The collection is housed in a 48 page casebound book which sits in a rigid board slipcase with anti-scratch and matte laminated finish with a spot gloss. The book contains an extensive and in-depth interview with Matt Bellamy, Dominic Howard and Chris Wolstenholme as they talk about the earliest beginnings of the band, as well as the recording and release of their debut album Showbiz through to Origin of Symmetry. The book also incorporates original posters, setlists, photographs and contact sheets which are inserted and can be pulled out from the book, as well as original artwork and all CD’s and vinyl.
The audio is 9 CD’s and 4 coloured vinyl containing the following highlights.
6-LP Collection Features 40 Tracks With Performances By Eric Clapton, Jeff Beck, Gary Clark Jr., Sheryl Crow, Vince Gill, Buddy Guy, B.B. King, John Mayer, Willie Nelson, Carlos Santana, James Taylor, Joe Walsh, Steve Winwood, Ronnie Wood, ZZ TOP, And More.
Three unique LPs specifically timed to be released throughout the first season of HBO’s Watchmen. Created in collaboration with the show’s writers, each LP features the score from Academy Award winners Trent Reznor and Atticus Ross as well as artwork and packaging exclusive to this vinyl release that explores the culture of Watchmen America and provides revealing insights into the saga's mythology and mysteries.
Surviving is the new album from American rock band Jimmy Eat World. This new set marks the groups 10th studio album, and will be released on their 25th Anniversary as a band!
Ahead of the album release, Jimmy Eat World will release two singles and videos – a reworked version of fan favorite “Love Never” plus a new track “All the Way (Stay).”
The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past. Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is Clipping’s transmutation of horrorcore, a purposefully absurdist sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. The album contains interludes with hissing recordings of demonic invasions, and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with “Piano Burning,” a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning. There Existed an Addiction to Blood fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy (both for his acting/rapping work as Thomas Jefferson and Marquis de Lafayette in Hamilton), as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows. Clipping’s last album, the 2016 afro-futurist dystopian space opus Splendor & Misery was recently named one of Pitchfork’s Best Industrial Albums of All-Time. Commissioned for an episode of This American Life, their 2017 single “The Deep” became the inspiration for a novel of the same name, written by Rivers Solomon and published by Saga Press. But their latest masterwork embodies what the band had been building towards — a work that finds them without peer. This is experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horrorcore that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas.
‘What’s Going On Live’ features Marvin Gaye’s legendary concert – the only live performance of his iconic 1971 What’s Going On album in full – recorded in February of 1972 at the Kennedy Center in his Washington, D.C. hometown, & notable as Marvin’s first concert after a 4 year hiatus. After being shelved for decades, the recording was eventually released on CD in 2001 within Motown/UMe’s expanded deluxe edition for the What’s Going On album. Never before issued on vinyl or as a standalone CD, What’s Going On Live is newly mixed for its 2019 release by John Morales at M+M Mix Studios and mastered by Alex Abrash at AA Mastering. Packaging includes rare photos from Gaye’s performance and a new liner notes essay by Marvin Gaye biographer David Ritz.
Part 2, like Part 1, was produced by Foals themselves: Yannis Philippakis (vocals/guitar), JimmySmith (guitar), JackBevan (drums) and EdwinCongreave (keys), with Philippakis and Congreave contributing bass too. The album simmers with the pure visceral intensity which has long been emblematic of the band— “The Runner” and “Black Bull” are streamlined attacks, and this approach also informs“10,000 Feet”— while retaining the opening chapter’s eclectic nature. “Wash Off” marries manic world music-tinged grooves with a punk-like intensity and the cinematic instrumentals “Red Desert” and “Ikaria” underline that Everything Not Saved Will Be Lost is a journey rather than a mere collection of songs.
Fastball's new album, The Help Machine, follows on the heels of the bands acclaimed 2017 release Step Into Light. The new set, on the Austin's TX trio's own 33 1/3 label, once again demonstrates the distinctive songwriting, expressive vocals and inventive melodic sensibilities of Miles Zuniga and his bandmate Tony Scalzo. With drummer, Joey Shuffield completing the longstanding lineup, the trio's time tested creative rapport is a potent as ever on such compelling tunes as Scalzo's White Collar,All Gone Fuzzy and The Girl You Pretend to Be and the Zunga compositions Friend or Foe, Holding The Devil's Hand, and the album's enigmatic title track .
California-based, psychedelic rock band CirclesAroundTheSun and revered drummer Joe Russo have come together for a four song EP simply entitled, 'CirclesAroundTheSun Meets Joe Russo.' The electrifying collection stems from a completely improvised recording session at Russo's Brooklyn studio in Winter 2019. The results of the secret collaboration were mixed by legendary recording engineer Jim Scott whose Grammy Award-winning work includes albums by Tom Petty and Tedeschi Trucks Band and CirclesAroundTheSun's bassist Dan Horne who has an impressive production/mixing discography in his own right with artists such as Cass McCombs, Allah-Las and Mapache. CirclesAroundTheSun (often shortened to CATS by the band's fans) also features guitarist Neal Casal, keyboardist Adam MacDougall and drummer Mark Levy. The band was initially formed solely to record set break music for The Grateful Dead's "Fare Thee Well" concerts in 2015, but due to popular demand have quickly grown into something bigger than ever imagined, having released two full-length studio albums and touring nationally. It's fitting that they've joined forces with Russo who served as the drummer in Furthur, an ensemble led by original Grateful Dead members, Phil Lesh and Bob Weir. He now also leads the widely popular Dead revival band, Joe Russo's Almost Dead, who sell out shows coast to coast and have appeared at festivals including Bonnaroo, LOCKN and Mountain Jam. 'CirclesAroundTheSun Meets Joe Russo' captures the purely inspired musical interplay of two giants from the modern improvised rock world in all of its joyous, ecstatic glory.
Australian alternative folk duo Hollow Coves' debut album Moments is a collection of warm, introspective songs that reflect the pair's travels across the globe and their deeply felt experiences along the way.
Fieh (pronounced “fee-ah”) is a band created by Sofie Tollefsbøl, a singer from Eina in Norway, a small village with under a 1000 inhabitants located deep in the Norwegian forest. Sofie draws inspiration from different hip hop and soul artists such as Outkast, D’Angelo and Erykah Badu. The band’s music has evolved a lot since Sofie started releasing her Garageband-produced demos from 3 years ago, and since she attended the Norwegian Academy of Music her solo project has grown into a large band, with elements such as multiple backup singers, a drummer, a bass- and guitarist, a trumpeter and a keyboardist, all of them fellow students at the jazz course at the same school.
Recorded with producer Jay Joyce in Nashville, Tennessee, You Deserve Love marks White Reaper’s Elektra Records debut and follows their celebrated 2017 album, The World’s Best American Band. The album is a collection of smart, sharply-written songs of doubt, dislocation, and elusive and often complicated love. Earlier this summer White Reaper shared You Deserve Love’s lead singles “Real Long Time” and “Might Be Right,” the latter of which has quickly ascended into the Top 30 on Billboard’s ‘Alternative Songs’ chart.
Reflecting on the album title, vocalist / guitarist Tony Esposito explained that the name for the record came from a note on bassist Sam Wilkerson’s phone. “He had written things down he thought might be good album titles, and we were all sitting around at a bar in Nashville after we had just finished recording, vexing about what we were going to call the album.” Wilkerson explained, “I started reading them aloud at the bar, and everyone stopped me at You Deserve Love,” adding, “I think it’s cool, because it’s true for everybody. I think it’s what everybody needs to hear.”
The best musical mavericks never sit still for long. They mutate and morph into new shapes, refusing to be boxed in. Floating Points has so many guises that it’s not easy to pin him down.
Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head. It’s the producer at his most “unhinged,” he says, a tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in. It’s the sound of the many sides of Floating Points finally fusing together: the carefree selector, the considered composer and the passionate label curator. But it’s also a sound that, while it’s born out of despair and frustration with the overwhelmingly dark forces around us, manages to provide some hope for compassion. Crush on that.
For over 15 years, Alter Bridge has been a band known for blurring the line between hard rock and heavy metal. Building upon the sound that has won the band worldwide critical acclaim and a devoted global fan base, the band returns with their sixth studio album, Walk The Sky. The fourteen-track opus marks a creative highpoint for the quartet comprised of Myles Kennedy on vocals/guitars, Mark Tremonti on guitars/vocals, Brian Marshall on bass and Scott Phillips on drums. Walk The Sky is a complete career retrospective drawing upon elements from each of the band’s previous releases to create something new from the band. Recorded in a way never done before, the album was born from complete song ideas created by Kennedy and Tremonti. These songs would then be worked on by the entire band to create the fourteen songs that would make Walk The Sky the listening experience it is. This varies from the band’s previous method going back to their sophomore release Blackbird where Kennedy and Tremonti would combine individual ideas and riffs alongside producer Michael “Elvis” Baskette to form some of the band’s most revered songs. From the opening vocal melody on “One Life” to the moving finale of “Dying Light,” Alter Bridge have created a formidable addition to their music catalog. Songs like “Godspeed,” “Native Son” and “Walking On The Sky” are sure to be early additions to the live set. The first single “Wouldn’t You Rather” is quintessential Alter Bridge and “Forever Falling” also marks a lead vocal return from Tremonti with Kennedy taking the chorus as done previously on the Fortress favorite “Waters Rising.” Alter Bridge will be heading out on a worldwide tour beginning in September in the United States before heading over to Europe to close out 2019.
Tony Award–winner Idina Menzel has a career that traverses stage, film, television, and music and in time for the holidays she releases an album of traditional and brand-new songs featuring Ariana Grande, Billy Porter, Josh Gad and her husband, Aaron Lohr. Timed to coincide with the release of Disney’s Frozen 2, which includes Idina’s unforgettable voice in the title role of Elsa, this new album is sure to bring friends and family together throughout the holiday season.
High Water II continues the band's signature New American Roots Rock sound and follows up 2018's debut High Water I, recorded during the same studio sessions at Dark Horse Studio in Nashville. Since forming in 2016, The Magpie Salute has garnered critical praise from Guitar World, Relix, and Rolling Stone, which summed up their live set as explosive. Having toured with Govt. Mule, The Avett Brothers, and Blackberry Smoke throughout 2018, The Magpie Salute has engaged fans worldwide.
Corridor are a group from Montreal and their Sub Pop debut, Junior, was made just yesterday. The rock'n'roll band had barely inked their record deal when they surfed into studio, racing against time to make the most dazzling, immediate and inventive album of their young career: 39 minutes of darting and dodging guitars, spiraling vocal harmonies, and the complicated, goldenrod nostalgia of a Sunday mid-afternoon. This ain't Corridor's first rodeo. Junior is the band's third full-length and their third recorded with their friend, producer (and occasionally roommate) Emmanuel Ethier. However 2015's Le Voyage Éternel and 2017's Supermercado were made languorously, their songs taking shape across whole seasons. This time Dominic Berthiaume (vocals/bass), Julian Perreault (guitar), Jonathan Robert (vocals/guitar/synths), and Julien Bakvis (drums) permitted themselves no such indulgence. The band were committed to releasing an album every two years, and for Junior it required a blitz. "If you want to release something this fall, we need the masters by the 10th of May," the label had warned them. Winter was already in its last throes: on March 1, Corridor went into studio; in mid-April, Corridor came out. They had somehow created Junior and it was, if we may be so bold, spectacular. Singers, two guitars, bass, drums: the timelessness of the setup underpins the timelessness of the sound, a rock'n'roll borrowing from each of the past six decades—punk and pop, psych and jangle, daydream and swoon. This is music that's muscular, exciting and full of love, its riffs a kind of medicine. Whereas Corridor's past work could sometimes seem overstuffed, twenty ideas to the same song, the new work is hypnotic, distilled. "Part of the beauty of the thing is that we didn't have time to think about it," says Berthiaume. Six of Junior's 10 tracks were conceived during a single weekend. The words to "Bang" were written on the eve of the sessions, as Robert began to panic: "Je payerai tôt ou tard," he sings: I'll pay, sooner or later. Fewer jams, fewer overdubs—no fortnight in the countryside, secluding themselves in a chalet. Even the artwork came in the nick of time: in spite of other, meticulous, masterpieces, Robert's "shitty last-minute collage" (of an egg saying hello) was the one his bandmates went for. That might be Corridor's best trick—their mixture of seriousness and whimsy. Sub Pop have never before, in their 33-year history, signed a Francophone act. Maybe the band's magic springs from their ingenious hooks, their topaz-tinted vision. Maybe it's the panache of Québec's insurgent underground scene, or the camaraderie of Robert and Berthiaume, who have played together since they were 14. Maybe it's their name—a hallway crossed with a toreador. Probably it's all of these, and none of them: Junior is a joy, a hasty miracle, because it's so much damn fun to listen to. This album is 39 minutes; each day has 24 hours; you can listen 36 times before tomorrow.
Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform in a sell-out run at The Talk of the Town.
It is 30 years since she shot to global stardom in THE WIZARD OF OZ, but if her voice has weakened, its dramatic intensity has only grown.
As she prepares for the show, battles with management, charms musicians, and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of romance seem undimmed as she embarks on a courtship with Mickey Deans, her soon-to-be fifth husband.
And yet Judy is fragile. After working for 45 of her 47 years, she is exhausted; haunted by memories of a childhood lost to Hollywood; gripped by a desire to be back home with her kids. Will she have the strength to go on?
Featuring some of her best-known songs, including the timeless classic ‘Over the Rainbow’, JUDY celebrates the voice, the capacity for love and the sheer pizzazz of “the world’s greatest entertainer
"Colorado" is the first new Neil Young with Crazy Horse album since 2012's "Psychedelic Pill". The album will be released on October 25th and features 10 new Neil Young compositions. It includes several songs that Neil has been playing live in the past few months (eg: "Rainbow of Colors", "Green Is Blue" and "Milky Way"), and the epic 13+ minute track "She Showed Me Love".
The vinyl version of the album comes with a bonus 7" single, featuring an album outtake "Truth Kills". The 7” also includes a live, solo version of "Rainbow of Colors" from Portland, OR, on May 17, 2019 - the first time Neil ever performed this song live.
This incarnation of Crazy Horse is Neil Young on vocals, guitar, piano, harmonica and vibes, Billy Talbot on bass, Ralph Molina on drums and features the return of Nils Lofgren on guitar and piano, almost 50 years since he last appeared on a Crazy Horse album (1971).
The album is produced by Neil Young and John Hanlon and was recorded in Colorado in April & May 2019.
After 30 million albums sold, 13 No. 1 jazz albums in the United States, and a film, television and music career spanning three decades, Harry Connick, Jr. returns with a new sound, new label home and new record, True Love: A Celebration of Cole Porter.
Focused exclusively on the songs of Cole Porter and his Great American Songbook, the sensational recording demonstrates Connick’s multitude of talents as pianist, singer, arranger, orchestrator and conductor, breathing new life into popular tunes including “Just One of Those Things,” “Anything Goes” and “You Do Something To Me.”
‘Western Stars – Songs From The Film’ is the companion album to the Warner Bros. feature film, ‘Western Stars.’ The collectionfeatures each of the live performances captured in Bruce Springsteen’s directorial debut ‘Western Stars.’ The soundtrack includes every song from Springsteen’s most recent and critically-acclaimed studio album of the same name, as well as a cover of Glen Campbell’s “Rhinestone Cowboy.” Pulling the audio from the film co-directed by Bruce Springsteen and longtime collaborator Thom Zimny, ‘Western Stars – Songs From The Film’ is backed by a full band and orchestra, recorded live at Stone Hill Farm in Colts Neck, NJ.
On the heels of release of his new song "10/10," Rex Orange County has announced details for his new album Pony. This highly-anticipated album is the follow up to 2017's Apricot Princess. The album was written, recorded, and performed almost entirely by Rex himself at Strongroom Studios in East London with frequent collaborator Ben Baptie co-producing, engineering and mixing the album. Rolling Stone has hailed the single "10/10" as "triumphant" and a "song you need to know," and the track was described by NPR as "a sincere, sad-boy gem." The album follows standout performances at a handful of major festivals this year, including UK's Glastonbury (where he first debuted "10/10"), Paris' We Love Green, Berlin's Lollapalooza, and Australia's Laneway Festival. Rex Orange County, born Alexander O Connor, is a 21 year old English recording artist and songwriter. To date, he has independently amassed over 1 billion streams, and self-released two albums - bcos u will never b free (2016) and Apricot Princess (2017). He was also featured on Tyler The Creator's 2017 album, "Flower Boy". His singles "Best Friend", "Loving Is Easy", and "Sunflower" are well over 125 million streams each, with "Loving Is Easy" now being RIAA certified Gold in the US and Australia. His 2018 highlights include his television debut on Jimmy Fallon (performing "Loving Is Easy"), and extensive touring including an epic performance at Glastonbury, where he closed out the Park Stage with his Sunday headline slot.
'Tombstone Every Mile' was Bill Kirchen's first solo album, but it has been unavailable for many years. Originally released in 1993 it featured him in his Washington DC based trio. Fellow DC area guitar man Danny Gatton was to produce the disc, but by the third day of recording he still hadn't shown up, so Bill ended up self-producing with engineer Ed Eastridge. Bass man Jeff Sarli had already played with artists on the Black Top label out of New Orleans, Robert Ward for one, so Bill pitched it there and they agreed to release it in USA. Kirchen then approached Jake Riviera at Demon, who he knew from making the Moonlighters disc with Nick Lowe, and they released it in Europe. The album reflects what they were doing working the Honky-Tonks in DC and points beyond. Kirchen hadn't been writing much material post-Commander Cody, and was perfectly happy singing Dick Curless, Bob Wills and Buck Owens etc all night. So, he called on song writing friends like Blackie Farrell, Nick Lowe and Austin de Lone, who came through with some ideal material for the album, inspiring Bill to manage a couple of serviceable originals which remain in the repertoire to this day. The 2019 edition is available on CD 12"" vinyl LP and digital formats.
2 Black LPs, 150 Gram, Double Gatefold Jacket, Printed Insert, 11”X 17” of Hollywood Map Poster folded
Personally curated by Quentin Tarantino himself, the Once Upon a Time in Hollywood Original Motion Picture Soundtrack is a love letter to the music of 1960s-era Hollywood. Featuring over 20 standout tracks from artists such as Paul Revere & The Raiders, Deep Purple and Neil Diamond, the album creates a true time capsule of a golden era of filmmaking.
In 1997, Josh Homme (Queens of the Stone Age) and a handful of friends retreated to the desert of Joshua Tree, CA in order to isolate themselves from the distractions and comforts of their everyday lives. What began as a casual writing and recording session amongst friends has since become a project of legend. Spanning twelve volumes over the course of two decades, Desert Sessions has featured some of music’s most cherished icons stepping out of their comfort zones and collaborating with one another to create some of the most exciting music of their careers.
After nearly sixteen years since its last entry, the longest-running mix tape in existence, Desert Sessions will return this October with two stunning new volumes in its already storied catalog, Vols. 11 & 12, featuring collaborations from Billy Gibbons (ZZ Top), Les Claypool (Primus), Stella Mozgawa (Warpaint), Jake Shears (Scissor Sisters), Mike Kerr (Royal Blood), Carla Azar (Autolux, Jack White), Matt Sweeney (Chavez), David Catching (Co-founder of Rancho De La Luna studio), comedian Matt Berry (What We Do in the Shadows), Töôrnst Hülpft and new comer Libby Grace.
Limited Edition Vinyl packaging includes a one of a kind custom mix & match, body swap booklet!
Multi-GRAMMY nominated and multi-platinum British singer/songwriter James Blunt will release his sixth studio album Once Upon A Mind on October 25th featuring the new single “Cold”. After flirting with electronica on his last album, Blunt returns to what he does best on Once Upon A Mind – writing classic songs that touch both the heart and the head. Once Upon A Mind sees Blunt collaborating with a variety of producers resulting in a freshness that resonates throughout the eleven-song collection, with highlights including the poignant ballad “Monsters,” pop-infused “5 Miles” and the country tinged “Halfway.”
“I think this is the most honest album I have ever made” saidBlunt. “’Back To Bedlam’ was similar in that I had been writing those songs for a while about my life experiences at that time, and they came together on my debut. And every song on this album represents something that I’m currently going through or have recently experienced. It’s a very personal record, and I’m proud I can share it.”
Guided by Voices is now an unlikely candidate for the most perfect rock band of all time, while at the same time being a thoughtful reflection on what a rock band is, a fantasy that becomes a fact. Sweating The Plague, the band's 29th album and their third this year, spars playfully with stadium-sized fidelity and uncharacteristically impactful arrangements. Producer Travis Harrison's counterintuitive approach to Guided by Voices' historically lo-fi sound is that he doesn't want it to sound homemade, while the grinding tectonic plate guitars of Doug Gillard and Bobby Bare Jr. Anchor the album. Play it loud! Being a fan of Guided by Voices can feel like standing in a ticker-tape parade and reaching out to grab at stray releases as the endless flurry of output from the Needmore Songs publishing house billows around-but here's twelve compatible nuggets of Pollard content in one handy package, all boxed up and ready to go.
Formed in 2003, Editors became one of the leading bands in the post-punk revival that swept England and America in the early 2000's. Following their 2005 debut, The Back Room, they went on to top the U.K. charts, releasing five more studio albums, including 2018's Violence. Black Gold - Best of Editors culls favorites from across their entire catalog and includes three all new songs: ''Frankenstein'', ''Black Gold'' and ''Upside Down.''This collection is a must-have for fans and the perfect introduction for new listeners.
Over the course of her acclaimed career, Grace Potter has carved out a flourishing yet unconventional place among the best songwriters and singers in rock and roll. The Waitsfield, Vermont native has released six albums, guested with everyone from Kenny Chesney to The Rolling Stones, created her own music festival (Burlington's Grand Point North) and become one of the most admired live performers in contemporary music.
Now, after a four-year hiatus, Grace returns with Daylight, her second solo LP (seventh overall) and first for Fantasy Records.
2nd installment Loverboy is an exemplary release of Ariel’s work recorded between October 2001 and July 2002, at which time Ariel also recorded House Arrest in an expanded reissue transferred and remastered from the original master cassette tapes.
Odditties Sodomies Vol. 2 is the long awaited second volume of uncollected music by Ariel Pink, compiled from non-album tracks, outtakes and rarities spanning 1999 - 2018. The collection includes unheard music from Ariel’s historic run of releases as Ariel Pink’s Haunted Graffiti as well as recent recordings made over the last decade. This selection presents a non-chronological cross section of both sides of Ariel’s evolution in the studio, from early home-recordings (“Driving to the Grave”) to an expanded palette afforded by a proper studio (“Bolivian Soldier”). Odditties Vol. 2 gathers the overspill from Ariel’s series of Haunted Graffiti albums and follows similar odds and ends to present day. Contributions include tracks co-written with John Maus (“The Law”) and with Patrik Berger, Mac Demarco, and Charlotte Ercoli Coe (“Party Zone World”). In addition there is a cover by The Smiths (“This Night Has Opened My Eyes”) and a quartet of recent songs recorded in between July 2017 - December 2018 (“Bolivian Soldier”, “Stray Here With You”, “House of Yesterday” and “You Can Have It All”).
The debut installment of Ariel Archives begins with an expanded version of Underground, Ariel Pink’s first release under the name Ariel Pink’s Haunted Graffiti. This installment of Ariel Archives expands the track-listing of the original Underground release to include twelve additional songs recorded in the same period. Unheard songs such as “Michelle” and “Let’s Stay in the Past” fill in beautiful missing details from Ariel’s earliest recordings, while familiar classics such as “My Molly” are collected for the first time on a full-length release.
Cigarettes After Sex return with their anticipated sophomore album - Cry via Partisan Records. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love - meeting, wanting, needing, losing...sometimes all at once. The album was self-produced and engineered by Greg Gonzalez, and mixed by Craig Silvey (Arcade Fire, Yeah Yeah Yeahs).
Over their career, Cold War Kids have fielded music’s seismic shifts while simultaneously sticking to their own game plan. Over the course of a dozen releases – including seven studio albums, multiple EPs, and a live album on majors and indies alike, non-stop tours and the festival circuit’s biggest stages, massive radio, sales & streaming successes, the band have become a major part of the modern landscape. Their new album New Age Norms 1, with lead single “Complainer” is the next chapter with the approach of taking apart the idea of what the band is and just trying to take the doors off a bit to see where it can go.
The Rolling Stones’ groundbreaking multi-platinum selling album Let It Bleed was released in late 1969, charting at #1 in the UK and #3 in the US. The Rolling Stones, at this point already a critically and commercially dominant force, composed and recorded their eighth long player (tenth for the U.S.) amidst both geopolitical and personal turmoil. The second of four Rolling Stones albums made with producer Jimmy Miller (Traffic, Blind Faith), Let It Bleed perfectly captures the ominous spirit of the times with “Gimme Shelter,” the opening track.
The Let It Bleed (50th Anniversary Edition) single 180g LP includes the stereo version of the album, with restored original artwork and printed inner sleeve. The 2019 stereo remaster has been engineered by eleven-time Grammy®-winning mastering engineer Bob Ludwig.
The Mavericks are masters of country-latino-rock'n'roll. They rode high in the country and rock charts of the '90s with culture-crossing hits like 'What A Crying Shame"" and ""All You Ever Do Is Bring Me Down"". In 2004 they went on hiatus to explore new musical avenues. But since a reunion in 2012, the band has reestablished itself as one of the most exciting and joyfully entertaining acts on the touring circuit. Now, on their 30th anniversary as a band, they're back to remind the world why they're so good.
“Lifetime came from the New Brunswick, NJ, punk and hardcore scene that yielded bands like Bouncing Souls and Thursday. The difficult and less-than-legal status of basement shows made for a tight-knit DIY scene that took its ideals very seriously. And while Lifetime often got lumped in with the scene that raised them, the band broke away from the mold of their hardcore cohort, yet had a hard time finding a large enough audience outside of their scene-specific world to support them.
Lifetime ended on an anticlimactic note. Over the course of their seven-year run, the New Jersey hardcore band had released two albums, Background and Hello Bastards, before dropping their parting gift, 1997’s Jersey’s Best Dancers. As they closed one chapter by walking away, they inadvertently opened another by unleashing the pop punk sound into the emo cosmos, shaping an entire genre for years to come. What made Lifetime stand out from any other hardcore or punk band with melodic hooks and passionate lyrics? To many, Jersey’s Best Dancers may sound like nothing more than a pop punk album rooted in hardcore. Songs like “Bringing it Backwards” or “How We Are” certainly follow the melodic hardcore formula, but it’s the nuances and moments of ardent vulnerability that differentiate this from other hardcore albums of their time. “Theme for a New Brunswick Basement Show” is perhaps the most glaring example of a song responsible for setting Lifetime apart. On it, vocalist Ari Katz tells a story about sitting next to the girl of his dreams at a basement show and wonders if she could take the place of the current object of his heartbreak. The lyrics aren’t cryptic or hard to decipher. And it’s the willfully naive and direct delivery that made for a novel approach to punk poetry, one that became a sort of emo curriculum for years to come. The remnants of this school of emo would be glaringly apparent years later in mega-anthems like Panic At The Disco’s “I Write Sins Not Tragedies” or Fall Out Boy’s “Sugar, We’re Going Down.” The list is endless. It’s impossible to listen to Taking Back Sunday’s “Cute Without The E” and not hear their blueprint from start to finish.
In fact, it’s arguable that there are few, if any, 24-minutes stretches of recorded music more important to shaping an entire industry than the 12 songs on Jersey’s Best Dancers.”
R.E.M.’s ninth album, Monster, was released at a time when the band were coming off the peak of their mainstream success, following Out of Time (1991) and Automatic For The People (1992). Coming from a long break in touring (the band famously didn’t tour with the two previous records), Monster represented an intentional shift in R.E.M.’s sound, a “return to rock” with guitar laden, simple arrangements. It was released to strong reviews and significant global success - reaching #1 on Billboard, and least 7 other countries. In 1995 the band promoted that album with their first concert tour since 1989 (although several band members suffered health problems). The album includes the singles; “What’s The Frequency, Kenneth?,” “Crush with Eyeliner,” “Bang and Blame,” and “Strange Currencies.”
Commemorating the album’s 25th anniversary, original Producer Scott Litt re-approached R.E.M.’s “Monster” by remixing the entire album. The original 1995 version was dense in guitars and feedback with the vocals mixed within the sonic wall, but on this alternative version the guitars are pulled back and the vocals pushed forward to create a more open sound and showcase often-revealing lyrics.
The deluxe edition package also includes previously unreleased demos, a complete live performance, recorded from the Monster tour in Chicago on June 3, 1995, plus a Blu-ray disc which features the band’s tour documentary “Road Movie,” five original music videos, as well as the complete remastered Monster album in 5.1 surround sound and hi-resolution audio.
The Hollywood legend, coolest man on the planet and purveyor of fine jazz will release his second album in November on Decca Records. And this time he’s bringing his friends. Jeff has assembled an extraordinary gang of vocalists from all walks of musical life, some of whom are revealing their jazz voices for the very first time. The feel good jazz album of the year, featuring singers Sharon Van Etten, Fiona Apple, Inara George, Jeff Goldblum & Anna Calvi.
The latest chapter in the highly acclaimed Bob Dylan Bootleg Series revisits Dylan's pivotal musical journeys to Nashville, from 1967 to 1969, focusing on previously unavailable recordings made with Johnny Cash and unreleased tracks from the John Wesley Harding, Nashville Skyline, and Self Portrait sessions. LP 1 finds Dylan in Columbia's Studio A in Nashville recording alternate versions of compositions written for John Wesley Harding (October 17 and November 6, 1967) and Nashville Skyline (February 13-14, 1969) while introducing a new song "Western Road" (a Nashville Skyline outtake). LP's 2 and 3 are centered around Dylan's collaborations with American music icon Johnny Cash including the much sought-after Columbia Studio A sessions and on-stage performances at the Ryman Auditorium (May 1, 1969) for the recording of the premiere episode of The Johnny Cash Show (originally broadcast on ABC-TV on June 7, 1969). LP 3 closes with tracks recorded on May 17, 1970 with Grammy Award-winning bluegrass banjo legend Earl Scruggs for the PBS television special, "Earl Scruggs: His Family and Friends" (originally aired January 1971).
Japanese Wallpaper is Gab Strum, Melbourne-based dream pop producer, songwriter and artist. Gab blends shimmery synths, downtempo beats, and electronic influences with introspective, coming of age song themes to craft his brand of indie pop. Glow is the debut album from Japanese Wallpaper about navigating the simultaneously beautiful and incredibly awkward phase that is one's late teens, growing up and trying to figure out your place in the world. Produced by Grammy-winning producer Ben H. Allen (Walk the Moon, Animal Collective, Gnarls Barkley, Kaiser Chiefs, Cut Copy, Washed Out, Neon Indian),
Newly expanded 3CD/1LP set that includes the original studio album – and the B-side “Who Scared You” – newly remastered by Bruce Botnick, The Doors’ longtime engineer and mixer. The collection is a limited edition of 15,000 individually numbered copies and also includes the original album on 180-gram vinyl along with liner notes by noted rock journalist David Fricke.
The core of the new collection is comprised of more than a dozen unreleased songs. Among the highlights are stripped down “Doors Only” versions of five tracks where the horns and strings have been removed (“Tell All The People,” “Touch Me,” “Wishful Sinful,” “Runnin’ Blue,” and “Who Scared You.”) The set also features three of those stripped-back versions with new guitar parts added by Robby Krieger (“Touch Me,” “Wishful Sinful,” and “Runnin’ Blue).
The collection also uncovers three songs from studio rehearsals – with Ray Manzarek (a.k.a. Screamin’ Ray Daniels) on vocals – that include an early version of “Roadhouse Blues,” a song that would be released the following year on Morrison Hotel. These three songs include newly recorded bass parts by Robert DeLeo of Stone Temple Pilots, who joined Krieger and John Densmore at a tribute concert for Manzarek in 2016, three years after the organist died of cancer. Manzarek’s take on “Roadhouse Blues” is available now on all digital download and streaming services.
A trio of studio outtakes collected on the set’s final disc feature the much-bootlegged, hour-long jam, “Rock Is Dead,” which appears here in its entire, surviving form for the first time ever. The track finds The Doors riffing through the entire history of rock ’n’ roll, from early delta blues through surf music, ending with the death of rock.
Enter Networker, the new album by Omni and first with indie giant Sub Pop Records. Their sound is still defined by sparse drums, locked-in bass, blistering guitar, and nonchalant, yet assured vocals, but from the first notes of "Sincerely Yours" you'll immediately notice that Networker sounds much cleaner and more "HI-FI" than their prior two albums, Deluxe (2016) and Multi-task (2017). The departure in fidelity suits the new record and allows the listener to enjoy the nuances of their meticulous arrangements. Don't worry, the riffs of Gang of Four and Wire are still present, but the production is more lush and the harmony is even more expansive. Despite nods to the sounds of the ’70s and ’80s what comes through is a record fully rooted in the here and now. Thematically, this is apparent on the title track "Networker" taking a candid snapshot of the “digital you” aspect of life in the age of the internet. The otherwise fun romp “Skeleton Key” also acknowledges the “direct message and obsessive” side of social media with lines like “if you don't like what you see, the pretty face on the screen, scroll on by...” Networker was written half between tours and half during recording sessions. The band, Philip Frobos on bass/vocals and Frankie Broyles on guitars/drums/keys, returned with longtime collaborator Nathaniel Higgins to the studio in South Georgia where they also recorded Multi-task and most recent single "Delicacy." In this case, the “studio” is a cabin near Vienna, GA (pronounced Vye-anna) that was built by Frankie Broyles’ great-grandparents in the 1940s. The band completed four sessions between November 2018 and April 2019. Omni hit their stride in the cabin with songs such as "Moat,” which cruises along at a nice mid-tempo clip with sounds that are maybe piano or maybe the “behind the bridge” strings of a Jaguar a la Sonic Youth or This Heat. "Blunt Force" provides a nice contrast to some of the more upbeat cuts, getting jazzy with it’s less traditional arrangement and psychedelic outro. Overall, Networker is simultaneously fun, catchy, and contains some truly impressive musicianship. This combo is especially hard to pull off as bands that are great players often don’t have great or memorable songs. Omni and Nathaniel Higgins have done a stellar job of reigning in their diverse influences into a cohesive record by curating their sounds into a tight package that leaves you just on the cusp of understanding where the band is coming from, while still feeling like you’re hearing something totally fresh. While their earlier records had more of a “post-punk” sound, Networker is an amalgamation of the best sounds of the ’70s and ’80s, all arranged with (mostly) guitars, bass, and drums for our contemporary age, and it really works! There are hooks everywhere, vocal and instrumental, that will leave you humming along, even during the first listen. As Philip Frobos says in “Present Tense,” “guess who’s on my mind right now?” Well, Omni’s on mine and will be on yours soon. -Scott Munro, Preoccupations 2019
With the dream team of producer John Hughes and director Chris Columbus behind them, and boosted by Macaulay Culkin's star-making turns, the first two Home Alone films rank among the most beloved Christmas movies of the last 30 years if not of all time. And their soundtracks, featuring a pair of scores by the great John Williams and a host of Christmas songs and artists both classic and contemporary, occupy an equally lofty position among holiday-themed movie music collections. But what if you took the best songs from both soundtracks and put them together into one killer Christmas album'and then put it out on limited edition vinyl? Well, that's what exactly what we have done here with our release of Home Alone Christmas, a 12-track collection that provides the perfect blend of new and 'auld' along with no shortage of burglar repellent! On the contemporary side you get Steve Van Zandt's tune 'All Alone on Christmas' sung by the legendary Darlene Love, the late, great Tom Petty performing his own 'Christmas All Over Again' with the Heartbreakers, and such artists as Alan Jackson, Southside Johnny and 20 Feet from Stardom standout Lisa Fischer interpreting various Christmas favorites. On the classic side, there's the Velvet Fog, Mel Torme, doing his great take on 'Have Yourself a Merry Little Christmas.' And overseeing it all is the magisterial John Williams, with three selections highlighted by 'Somewhere in My Memory,' the song he wrote with Leslie Bricusse that has become a Christmas standard. This essential holiday release comes to you in 'Holly Green' vinyl limited to 1500 copies'Merry Christmas, ya filthy animals!
Somewhere deep inside the aching chest of Iceland, the earth shifts, and from its cracking plates discharge the tragic sounds of 6 scorched young men whose own existence drives them to creative madness. The product of a modern age; the sonic nature of UNE MISÈRE cannot be easily defined. Beginning their journey just a few years ago in 2016, the band is the culmination of familiar friendships, musical devotion, hardening tragedy, addiction, and the fusing of band mates with wildly different styles. With an inherently heavy nature, UNE MISÈRE sits somewhere on a vast spectrum of blackened hardcore and aggressive metal. Making their full length debut this November 1st, 2019 on Nuclear Blast Records, UNE MISÈRE are seeking to perform their darkened SERMON for the world.
Single Disc, 180 Gram Black LP, Standard Single Sleeve Jacket, Printed Inner Sleeve
From Out Of Nowhere is the new album from Rock & Roll Hall of Famer and music legend Jeff Lynne, and follows up a remarkable run of sold out European and American tours. Jeff Lynne’s ELO, whose music has touched fans deeply across three generations now, has found himself in recent years at the peak of his powers as a songwriter, musician and producer. This new collection features a buoyant title song which opens the ten-track record including the wistful “Help Yourself” to the celebratory “Down Came the Rain” to the churning rocker “One More Time” to the sweet closer, “Songbird.”
As does its predecessor, 2015’s Alone in the Universe, From Out Of Nowhere shows Lynne finding new facets to his signature sound, at once drawing on his globally loved legacy and forging new paths in both sounds and emotions. Once again, he plays nearly every note of the music on guitars, bass, piano, drums, keyboards and vibes, as well as singing all of the lead and layered harmony vocals. Steve Jay, who also engineered the album, adds some percussion.