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Gallery of Sound - Independent Record Store PA

Painted Shield's 2 - the second release from Pearl Jam co-founder Stone Gossard, folksinger Mason Jennings, soul innovator Brittany Davis, and iconic drummer Matt Chamberlain - is more than the sum of it's parts. It's a different equation entirely, reaching far beyond it's members' individual careers to create a genre-bending, rhythmic rock sound that makes room for electronic soundscapes, organic bombast, and four-way songwriting collaborations that defy categorization. "It's the assassination of genre," says Davis, pointing to a track list that includes full-throttle guitar rock ("Dead Man's Dream"), nocturnal funk-pop ("Til God Turns the Lights On"), and percussive, synth-driven atmospherics ("Alien").
Painted Shield's 2 - the second release from Pearl Jam co-founder Stone Gossard, folksinger Mason Jennings, soul innovator Brittany Davis, and iconic drummer Matt Chamberlain - is more than the sum of it's parts. It's a different equation entirely, reaching far beyond it's members' individual careers to create a genre-bending, rhythmic rock sound that makes room for electronic soundscapes, organic bombast, and four-way songwriting collaborations that defy categorization. "It's the assassination of genre," says Davis, pointing to a track list that includes full-throttle guitar rock ("Dead Man's Dream"), nocturnal funk-pop ("Til God Turns the Lights On"), and percussive, synth-driven atmospherics ("Alien").
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Painted Shield's 2 - the second release from Pearl Jam co-founder Stone Gossard, folksinger Mason Jennings, soul innovator Brittany Davis, and iconic drummer Matt Chamberlain - is more than the sum of it's parts. It's a different equation entirely, reaching far beyond it's members' individual careers to create a genre-bending, rhythmic rock sound that makes room for electronic soundscapes, organic bombast, and four-way songwriting collaborations that defy categorization. "It's the assassination of genre," says Davis, pointing to a track list that includes full-throttle guitar rock ("Dead Man's Dream"), nocturnal funk-pop ("Til God Turns the Lights On"), and percussive, synth-driven atmospherics ("Alien").
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