Brahms composed relatively few original works for piano four hands, but arranged almost all of his chamber music and orchestral works for this instrumentation. He also used to play most of the works for four hands with Clara Schumann immediately after completion. For the piano duo Wyneke Jordans & Leo van Doeselaar, it was an obvious choice to conclude their series of recordings of four-handed piano works by German composers on period instruments with the music of Brahms. On the Blüthner grand piano from 1867, it becomes clear how Brahms made perfect use of the entire keyboard in his writing for four hands. The various registers appear completely transparent and clear.
Brahms composed relatively few original works for piano four hands, but arranged almost all of his chamber music and orchestral works for this instrumentation. He also used to play most of the works for four hands with Clara Schumann immediately after completion. For the piano duo Wyneke Jordans & Leo van Doeselaar, it was an obvious choice to conclude their series of recordings of four-handed piano works by German composers on period instruments with the music of Brahms. On the Blüthner grand piano from 1867, it becomes clear how Brahms made perfect use of the entire keyboard in his writing for four hands. The various registers appear completely transparent and clear.
5425004840899

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Format: CD
Label: PASSACAILLE
Rel. Date: 02/05/2021
UPC: 5425004840899

Brahms 4 Hands
Artist: Wyneke Jordans
Format: CD
New: OUT OF STOCK. Contact us for availability.
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DISC: 1
MP3
1. 21 Hungarian Dances, Woo 1: No. 1 In G Minor (Allegro Molto)
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2. 21 Hungarian Dances, Woo 1: No. 2 In D Minor (Allegro Non Assai)
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3. 21 Hungarian Dances, Woo 1: No. 3 In Fmajor (Allegretto)
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4. 21 Hungarian Dances, Woo 1: No. 4 In F Minor (Poco Sostenuto)
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5. 21 Hungarian Dances, Woo 1: No. 5 In F-Sharp Minor (Allegro)
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6. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Thema (Leise Und Innig)
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7. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation I (L’istesso Tempo Andante Molto Moderato)
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8. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation II
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9. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation III
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10. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation IV
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11. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation V (Poco Più Animato)
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12. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation VI (Allegro Non Troppo)
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13. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation VII (Con Moto. L’istesso Tempo)
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14. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation VIII (Poco Più Vivo)
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15. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation IX
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16. Variations On A Theme By Robert Schumann In E-Flat Major, Op. 23: Variation X (Molto Moderato, Alla Marcia)
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17. Liebeslieder Waltzes, Op. 52a: No. 1 (Im Ländler-Tempo)
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18. Liebeslieder Waltzes, Op. 52a: No. 2
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19. Liebeslieder Waltzes, Op. 52a: No. 3
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20. Liebeslieder Waltzes, Op. 52a: No. 4
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21. Liebeslieder Waltzes, Op. 52a: No. 5
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22. Liebeslieder Waltzes, Op. 52a: No. 6 (Grazioso)
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23. Liebeslieder Waltzes, Op. 52a: No. 7
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24. Liebeslieder Waltzes, Op. 52a: No. 8
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25. Liebeslieder Waltzes, Op. 52a: No. 9
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26. Liebeslieder Waltzes, Op. 52a: No. 10
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27. Liebeslieder Waltzes, Op. 52a: No. 11
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28. Liebeslieder Waltzes, Op. 52a: No. 12
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29. Liebeslieder Waltzes, Op. 52a: No. 13
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30. Liebeslieder Waltzes, Op. 52a: No. 14
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31. Liebeslieder Waltzes, Op. 52a: No. 15
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32. Liebeslieder Waltzes, Op. 52a: No. 16 (Lebhaft)
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33. Liebeslieder Waltzes, Op. 52a: No. 17 (Mit Ausdruck)
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34. Liebeslieder Waltzes, Op. 52a: No. 18 (Lebhaft)
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35. 21 Hungarian Dances, Woo 1: No. 8 In A Minor (Presto)
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36. 21 Hungarian Dances, Woo 1: No. 11 In D Minor (Poco Andante)
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37. 21 Hungarian Dances, Woo 1: No. 13 In D Major (Andantino Grazioso)
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Brahms composed relatively few original works for piano four hands, but arranged almost all of his chamber music and orchestral works for this instrumentation. He also used to play most of the works for four hands with Clara Schumann immediately after completion. For the piano duo Wyneke Jordans & Leo van Doeselaar, it was an obvious choice to conclude their series of recordings of four-handed piano works by German composers on period instruments with the music of Brahms. On the Blüthner grand piano from 1867, it becomes clear how Brahms made perfect use of the entire keyboard in his writing for four hands. The various registers appear completely transparent and clear.