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"No matter how one might try, one cannot be unkind to Mr. Bertini: he can bring one beside oneself with his friendliness and all his finely fragrant Parisian expressions; his music has the feel of pure satin and silk." In his Neue Zeitschrift f├╝r Musik Robert Schumann gave numerous fellow musicians who rubbed him the wrong way a solid piece of his own mind, but he never found anything to hold against Henri Bertini, a French composer who was twelve years his senior. Although he was a little indirect in his praise, he was right: in the music of this once highly esteemed pianist, piano teacher, and composer there is nothing irritating, nothing that might offend good taste - and yet we never have the impression that here we have a composer who eliminated every trace of ┬╗modernity┬ź merely to win public favor. Friendliness apparently was a characteristic trait of this musician who was born in London in 1798 and died in Meylan, near Grenoble, in 1876. He never attempted to go at everything headfirst to prove that it was possible to shatter the sound barrier. His countless ├ętudes and learning pieces were so very popular internationally because a natural music flows in them, offering welcome expressive opportunities to the pupil. And his finely crafted chamber compositions - from the duo sonata to the nonet - form a catalogue's trove of treasures combining a very fine ear with great narrative talent. Two of these magnificent pieces from the late 1830s - the Piano Trio op. 43 and the Nonet op. 107 - inaugurate this vibrant work series that would be a top wish for a complete recording edition and definitely in every way represents a valuable contribution to the repertoire.
"No matter how one might try, one cannot be unkind to Mr. Bertini: he can bring one beside oneself with his friendliness and all his finely fragrant Parisian expressions; his music has the feel of pure satin and silk." In his Neue Zeitschrift f├╝r Musik Robert Schumann gave numerous fellow musicians who rubbed him the wrong way a solid piece of his own mind, but he never found anything to hold against Henri Bertini, a French composer who was twelve years his senior. Although he was a little indirect in his praise, he was right: in the music of this once highly esteemed pianist, piano teacher, and composer there is nothing irritating, nothing that might offend good taste - and yet we never have the impression that here we have a composer who eliminated every trace of ┬╗modernity┬ź merely to win public favor. Friendliness apparently was a characteristic trait of this musician who was born in London in 1798 and died in Meylan, near Grenoble, in 1876. He never attempted to go at everything headfirst to prove that it was possible to shatter the sound barrier. His countless ├ętudes and learning pieces were so very popular internationally because a natural music flows in them, offering welcome expressive opportunities to the pupil. And his finely crafted chamber compositions - from the duo sonata to the nonet - form a catalogue's trove of treasures combining a very fine ear with great narrative talent. Two of these magnificent pieces from the late 1830s - the Piano Trio op. 43 and the Nonet op. 107 - inaugurate this vibrant work series that would be a top wish for a complete recording edition and definitely in every way represents a valuable contribution to the repertoire.
761203536320

Details

Format: CD
Label: CPO RECORDS
Rel. Date: 10/15/2021
UPC: 761203536320

Nonetto 107
Artist: Bertini / Linos Ensemble
Format: CD
New: in stock $14.99
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"No matter how one might try, one cannot be unkind to Mr. Bertini: he can bring one beside oneself with his friendliness and all his finely fragrant Parisian expressions; his music has the feel of pure satin and silk." In his Neue Zeitschrift f├╝r Musik Robert Schumann gave numerous fellow musicians who rubbed him the wrong way a solid piece of his own mind, but he never found anything to hold against Henri Bertini, a French composer who was twelve years his senior. Although he was a little indirect in his praise, he was right: in the music of this once highly esteemed pianist, piano teacher, and composer there is nothing irritating, nothing that might offend good taste - and yet we never have the impression that here we have a composer who eliminated every trace of ┬╗modernity┬ź merely to win public favor. Friendliness apparently was a characteristic trait of this musician who was born in London in 1798 and died in Meylan, near Grenoble, in 1876. He never attempted to go at everything headfirst to prove that it was possible to shatter the sound barrier. His countless ├ętudes and learning pieces were so very popular internationally because a natural music flows in them, offering welcome expressive opportunities to the pupil. And his finely crafted chamber compositions - from the duo sonata to the nonet - form a catalogue's trove of treasures combining a very fine ear with great narrative talent. Two of these magnificent pieces from the late 1830s - the Piano Trio op. 43 and the Nonet op. 107 - inaugurate this vibrant work series that would be a top wish for a complete recording edition and definitely in every way represents a valuable contribution to the repertoire.

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