As the thirteenth release in the Paul McCartney Archive Collection, this numbered, limited seven-disc (5CD/2DVD) Deluxe Edition Box Set is comprised of the original album remastered at Abbey Road Studios, 32 bonus audio tracks including unheard home recordings and demos, alternative studio recordings, rough mixes and B-sides including selections from Oobu Joobu parts 1-6, Flaming Pie At The Mill CD (Paul’s hour-long tour of his studio), video content including the In The World Tonight documentary, original music videos, EPKs, interviews, performances and behind-the-scenes material, a 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives and the story behind the album written by Chris Heath – including track-by-track information, recipes and new interviews with Paul, Ringo Starr, Jeff Lynne, Steve Miller and key album personnel, studio notes, handwritten lyrics, the 1997 Flaming Pie issue of Club Sandwich, the official newspaper of the Paul McCartney Fan club, downloadable 24bit 96kHz HD audio, and more.

• Numbered cloth wrapped clamshell box
• CD portfolio containing 5CDs and 2DVDs
• 128-page book containing previously unpublished images by Linda McCartney, expanded album artwork from the archives, and the story behind the album – including track-by-track information, recipes, and new interviews with Paul McCartney, Ringo Starr, Jeff Lynne, Steve Miller, and key album personnel, written by Chris Heath.
• Facsimiles of John Hammel studio notebook, Club Sandwich Magazine, Flaming Pie plectrum and envelope containing handwritten lyrics for 8 tracks and The Flame newspaper

Flaming Pie is also available on 180g black vinyl 2LP, 3LP, CD, Collector's Edition formats.

12" Vinyl Standard jacket with printed inner sleeve

Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.

Vinyl LP pressing. 2020 release, the highly anticipated ninth album from the singer/songwriter. Such Pretty Forks In The Road is Alanis' first original album since 2012's Havoc And Bright Lights. The first two singles have already made waves (her voice is in absolutely peak form): "Smiling" and "Reasons I Drink"; they join "Ablaze," "Diagnosis," "Reckoning" and more tracks her fans are dying to hear.

The groundbreaking British band’s eighth studio album and first new album in nearly three decades. Founded by visionary singer/lyricist Richard Butler and his brother, bassist Tim Butler, The Psychedelic Furs are among the most significant and lasting bands of the post-punk era, their remarkable canon encompassing seven milestone studio albums and such classic singles as “We Love You,” “Sister Europe,” “Love My Way,” “The Ghost In You,” “Pretty In Pink,” “Heaven,” “Heartbreak Beat,” and “All That Money Wants,” to name but a few. MADE OF RAIN sees the band returning to the fray as relevant and original as ever before, fueled by their always innovative sonic approach and Richard Butler’s evocative, masterful songwriting. Produced by longtime associate Richard Fortus (formerly of Richard and Tim Butler’s acclaimed mid-1990s band, Love Spit Love, and a current member of Guns N’ Roses) and mixed by Tim Palmer (Pearl Jam, U2, Robert Plant), magnificent reiterations of The Psychedelic Furs’ distinct, desperate wall of sound, melding haunting melodies and driving rhythms with ambition, aggression, and subversive lyrical power.

Created by Dan Campbell, best known as the vocalist of Philadelphia band The Wonder Years, Aaron West and The Roaring Twenties is as much a band as it is a story. The band plays Americana, sometimes with 6 or 8 or 10 people a horn section, banjo, lap steel, strings and more - and sometimes as one man with an acoustic guitar and his voice. The story follows a man named Aaron who, after a series of devastating losses, wanders the country looking for purpose, direction, and redemption. The new album, appropriately titled Live From Asbury Park, was recorded during the band's sold out performance at House of Independents in Asbury Park, NJ in December of 2019 and features songs from the the band's first two records. Standard Jacket, Yellow Colored Vinyl w/ Download Card.

Vinyl LP pressing. 2020 split album featuring five Frank Turner tracks covered by NOFX and five NOFX tracks covered by Frank Turner.

Vinyl LP pressing. 2020 release, the seventh album from the multi-platinum, Grammy Award-winning R&B/pop singer, songwriter, and actress. B7 is her first studio album since Two Eleven (2012). The album was preceded by the release of "Freedom Rings" as well as lead single "Baby Mama" featuring Chance the Rapper. Brandy's collaboration with Canadian singer-songwriter Daniel Caesar, "Love Again" is also included on the album.

The third solo album from the Chilean-American multi-instrumentalist and vocalist, who is a founding member of several bands, including the alternative rock group Eleven, and has been involved with acts such as Queens of the Stone Age, Them Crooked Vultures, PJ Harvey, Chris Cornell, Arctic Monkeys, Mark Lanegan and The Desert Sessions, both as a musician and as a producer

Waking Hours, by NYC artist Photay (a.k.a. Evan Shornstein), is a meditation on time and, more specifically, our obsessive need to fill every moment with activity. Photay’s search for calm is at the very core of Waking Hours, and while he admits that making the album was therapeutic, it shouldn’t be mistaken for some sort of healing ambient excursion. The LP is largely electronic, but frequently verges on pop and extensively features Shornstein’s own vocals. The music is intimate and inviting, but it also suggest that Photay is perhaps at his best when he’s blurring genre boundaries.

Vinyl packaging includes a download card.

The new album from Charley Crockett is perhaps even more potent proof of his literal heartbreak than the scar on his chest. After undergoing open heart surgery that saved his life, Charley says he considered calming down for “just a minute” but once he recovered he did just the opposite. He states boldly with one eyebrow raised, “I wanted to make an album that would change the entire conversation about country music.”

That album is Welcome to Hard Times , an aptly-named collection that perfectly fits these troubled days even though it was made just before the pandemic hit. The music was shaped by his heart issues and producer Mark Neill’s desire to make “a dark gothic country record.” Charley certainly knew how to deliver that. “I think you can hear that deep, dark sadness in this record,” he says, “but I think it’s the kind of darkness that will uplift others.”

This sophomore album from GRAMMY-nominated progressive metal five-piece Between the Buried and Me was their first release after catching the attention of Chicago powerhouse Victory Records. This album features the single “Mordecai,” which is still a fan favorite to this day. Originally notable for being the only album of the band’s not to be produced by Jamie King, King came back to remaster this 2020 release.

This is a compilation of the foundational Detroit post-punk group from 1980-83, featuring unheard studio and live tracks, unseen photos, and miscellaneous archival material. It was fronted by the late Larissa Strickland, who would go on to be in post-punk/hardcore/blues-punk group Laughing Hyenas with John Brannon from hardcore legends Negative Approach. Their only release before this was a 7" on Touch and Go's Special Forces imprint, a division of the label that focused on DIY and weirder, more far out stuff that was not as straight-forward punk or hardcore, but still operated with the same spirit and devotion to art creation.
All the original L-Seven members (sans the late Larissa Strickland, r.i.p.) as well as Steve Shelley from Sonic Youth helped put this comp together.

Legendary Greek symphonic death metal outfit SEPTICFLESH deliver unto us the long-awaited 'Infernus Sinfonica MMXIX,' a true milestone in the history of extreme metal. Captured at the Metropolitan Theatre in Mexico City in front of a sold out audience of 3200 metal maniacs, this unique live album/concert recording captures the brutality and bombast of the band playing in tandem with the Symphony Experience Orchestra - led by award-winning Maestro Gerardo Urbán Y Fernández - and the National University Of Mexico Children’s and Youth Choir (over 130 musicians total).

Joining them for this one-of-a-kind concert experience is longtime collaborator, clean vocalist, and co-founder Sotiris Vayenas in what marks his first ever North American appearance with the band. In a white-hot set spanning their four critically-acclaimed recent albums – ‘Communion (2008),’ ‘The Great Mass (2011),’ ‘Titan (2014),’ & ‘Codex Omega (2017)’ - the trailblazing quartet unleash their full powers for their first-ever live album recording. 'Infernus Sinfonica MMXIX' is at once impressive, monumental, stunning and arguably the crown-jewel in their already impressive career to date.

Little Steven, The Disciples Of Soul - Men Without Women - [CD+DVD] - Little Steven made his spectacular debut with 1982's Men Without Women, highlighted by a pair of rock radio favorites, "Lyin' In A Bed Of Fire" and "Forever". Little Steven's album now on CD paired with the 1982 Rockpalast live concert DVD.

Double vinyl LP pressing. 2020 reissue. 1000 Hands: Chapter One is the fifteenth studio album by English singer-songwriter and musician Jon Anderson, originally released in March 2019. The album originates from sessions that Anderson had been recording in Big Bear, California, with Brian Chatton in around 1990. Chatton wrote most of the music, played keyboards and also sang. Anderson asked his then Yes bandmates Chris Squire and Alan White to play on the project too. In 2016, producer Michael Franklin contacted Anderson about using the tapes and finishing an album. Further recordings followed at Solar Studios in Orlando, Florida. Along with some newly written material, the final result is 1000 Hands. Other guest musicians include Jethro Tull's Ian Anderson, Journey keyboardist Jonathan Cain, Vanilla Fudge drummer Carmine Appice, Rick Derringer, the Tower of Power horn section, violinist Jean-Luc Ponty and pianist Chick Corea.

Limited 180gm vinyl LP pressing in gatefold jacket. 2020 release from the legendary Yes/Asia guitarist. Love Is is Howe's 17th solo record, comprising ten songs: five with current Yes singer, Jon Davison, singing harmonies and playing bass guitar and five instrumental tracks rotating through the running order. The instrumentals keep a highly progressive rock guitar style to the fore, with songs that explore stories of lives lived and lives only just beginning. Many years in the making, Love Is offers a consistently strong and polished listening experience, forging the very best from the writing and playing throughout.

Jenn Wasner and Andy Stack have been making music together as Wye Oak for over a decade, yielding five critically acclaimed LPs in the process. The Baltimore-born, Durham-based pair spent 2012-2019 writing music while living in different parts of the country, but the five songs that make up No Horizon mark the first that Stack and Wasner composed while both lived in Durham. The EP was originally composed in a tight, concentrated timeframe at the end of 2018 and early 2019, and then performed at New York's Merkin Hall as part of Ecstatic Music Festival in collaboration with the Brooklyn Youth Chorus. The resulting EP is beautiful and strange: distinctly and recognizably Wye Oak, while simultaneously unlike any other of the band's studio work. Eerie and dreamy, a complicated, unpredictable amalgamation of thoughtful lyrics, steely glints of synths and effects, lithe guitar lines, and the depth of Wasner's voice, it all unfurls with the ease of any Wye Oak song, built out by the Brooklyn Youth Chorus' presence, their tangle of crystalline voices presenting like an orchestral arrangement.

ROMARE returns with his brand new album HOME. A euphoric and uplifting record with a guarantee to be a favorite on the dancefloor. HOME will be available on 2LP, CD and Digital formats. The release of this new record comes after a lifetime of being on the move. Fairhurst spent the majority of his life moving around, and was used to the nomadic lifestyle as his career progressed. Now he has found a place he can call home forever.

Future-focused and resolute in the mantra that rhythm is a dancer, the Flight Tower EP is helmed by vocalist Felicia Douglass. In opener and first single 'Lose Your Love,' she declares 'switch up the perspective!' And that's exactly what these songs do: the Flight EP is the most complete presentation yet of Dirty Projectors as modern vocal group.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although it's longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

There's an obvious chemistry emanating throughout Ohmme's music that's so tangible it can only come from a decades-spanning friendship. Songwriters Sima Cunnningham and Macie Stewart formed their unbreakable bond performing throughout the fringes of Chicago's many interlocking communities, collaborating with titans from the city's indie rock, hip-hop, and improvised worlds. But together, along with drummer Matt Carroll, they've stretched the boundaries of what guitar music can do starting with the band's experimental 2016 self-titled EP and their adventurous debut 2018 LP Parts. Now their longstanding partnership culminates with the stunning and muscular follow-up Fantasize Your Ghost. Ohmme formed in 2014 as an outlet for Cunningham and Stewart to explore an unconventional approach to their instruments. "That's the whole genesis of the band: us walking up to our guitars and saying, 'how can we make this noisemaker do something different?'" says Cunningham. But as their musical collaboration strengthened, bringing Parts and intensive tours with acts like Wilco, Iron & Wine, Twin Peaks, and more, the band's scope and focus has also broadened. Fantasize Your Ghost is the direct result of the band spending more time on the road than in Chicago, a record deeply concerned with questions of the self, the future, and what home means when you're travelling all the time. "Grinding on tour last year for so long, it can alter your mental state where you have to think about your life in a different way than you would if you're home. A lot of the songs stemmed from just thinking about all of the possibilities that life could be and could take," says Stewart. The commanding single "3 2 4 3" tackles the terrifying realization of needing to make a change. The song opens with the two singing in transfixing harmony, "Looked in the mirror the other day / Caught my reflection / My mouth had moved a different way / The muscles were straining." Their deft scene-setting and the way their disparate voices blend together heightens the song's inherent anxiety. Later, they sing, "Filling the holes to make amends / Tearing them up to start again." These moments of emotional clarity fill Fantasize Your Ghost. Fantasize Your Ghost was recorded over a six day session in August when the band decamped to the Post Farm in southern Wisconsin, where Cunningham runs a yearly DIY music festival. With indie rock journeyman producer Chris Cohen and the idyllic setting just outside Chicago, the songs came to vibrant life. Though Parts showcased their wildly burgeoning influences and talents, Fantasize Your Ghost captures the astounding magnetism and ferocity of their live show. "Selling Candy" is the perfect example. It's a small snapshot of childhood complete with nostalgic references to summertime hot dogs and wandering the city but set to an explosive, stadium-ready fuzzed-out arrangement. Elsewhere, songs like the dystopian dance rocker "The Limit" further stretch their already dynamic palette. Fantasize Your Ghost encapsulates the thrilling and sometimes terrifying joy of moving forward even if you don't know where you're going. It's an album that asks necessary questions: When life demands a crossroads, what version of yourself are you going to pursue? What part of yourself will you feed and let flourish and what do you have to let go of? When they sing, "Just walk out the door and / Don't tell them goodbye" it's drastic but also exhilaratingly hopeful. This is a record of strength, of best friends believing in each other. Unapologetic and brave, Ohmme are ready to figure it all out together.

Caravan Château —the beguiling 11-song reflection on the house of mirrors that is love— is the latest album from Los Angeles native singer/songwriter Alex Izenberg. Izenberg creates a sophisticated world of his own here, where songs that are somehow understated but lavish map the vagaries of our uncertain hearts the way wrinkles chronicle a lifetime of experience.

With the help of a handful of collaborators including Chris Taylor (Grizzly Bear), Jonathan Rado (Foxygen, Whitney, Lemon Twigs), Ari Balouzian (Tobias Jesso Jr) and others, Izenberg creates songs that are easy to adore but hard to define. Izenberg’s sharp songs are the bait that first brings you into Caravan Château, but that deliberate ambiguity is what brings you back repeatedly, hoping to tease out the riddles of being inside these stunning tunes.

Izenberg emerged in late 2016 with Harlequin , a fetching collection of hazy art-pop hymns praised for their “sweetness and heart.” Not long after the album’s release, Izenberg became emotionally unstable, though, beset by a failed relationship and inevitable post-debut questions about what came next. Diagnosed with paranoid schizophrenia in 2012, Izenberg has spent a lifetime learning to cope with and overcome fear, to turn doubt into power rather than paralysis.

For Izenberg, music is a lifeline, or the lens that helps him refocus the world and make sense of his mess of feelings. He pulls art and existence together as if by tensile wires, one giving necessary support to the other. On Caravan Château , the intensity of that connection radiates through every song, Izenberg working through some of life’s hardest feelings by writing songs as soft as his heart

Best known as one-half of acclaimed duo The Kills, Alison Mosshart is releasing music under her own name for the first time. 'Rise,' a searing, slow-burner and 'It Ain't Water', it's melancholy acoustic lament of a B-side.

Golden ticket Yellow Vinyl. Growth with no reward. Finding strength in your less desirable traits. Coming up with the perfect comeback hours later in bed, glaring at the ceiling. Asking yourself: am I improving, or am I just changing into something unrecognizable? Chicago quartet Ganser probe the futility of striving for self-growth during the chaos of our times for dark comedy and jagged sounds on their potent new LP, Just Look at That Sky. Equal parts Space Odyssey and Ghost World, Ganser released their debut LP Odd Talk in 2018 to favorable coverage from The New York Times, Billboard, and Stereogum. Building on their dissociative disorder namesake, the album's tone vacillated between frenzied and contemplative, probing on questions of communication, intimacy, and avoidance. On Just Look at That Sky, Ganser further explores the personal inner climate of uncertain times. Opening track "Lucky" announces an explosive energy that evokes the Midwest noise-rock legacy of bands like Jesus Lizard and Shellac, while embracing a more colorful palette of post-punk and art rock influences. Nadia Garofalo and Alicia Gaines, a self-described two-headed monster who share lead vocal duties, can bring both a recalcitrant cool worthy of Kim Gordon and a booming sneer that recalls Poly Styrene; the discordant interplay of Charlie Landsman's guitar and Brian Cundiff's drums on standouts "Self Service" and "Bad Form" build to blistering climaxes that wouldn't feel out of place on Red Medicine-era Fugazi. And then there's Ganser's lyrics: manic explorations of worry and dread mark this record, the epic messiness of daily life in our damaged times attacked with sardonic specificity as often as generalized doom. Just Look at That Sky isn't afraid to acknowledge that we're all Extremely Online all the time, but rather explicitly owns it. These songs chart inner monologues of emphatic confusion, emotions already deeply felt further ratcheted up by the anxiety of always having too much information about other people, and always being just one tweet or status update away from knowing what everyone really thinks about us. This culminates in closing track "Bags for Life," which imagines how online discourse might tackle a front-row seat for the end of the world. These are songs that never shy away from ugliness and confusion, that believe embracing the totality of the self sometimes means leaning into our dickish behavior. In the past, some listeners have had trouble reconciling non-male voices with the sorts of topics Ganser writes about, but that comes to an end with Just Look at That Sky. Co-produced with Electrelane's Mia Clarke and engineer Brian Fox, this is an assured, fully realized triumph of a record from an art-punk band that's figured out how to focus on making great art, even if everything else around them falls apart.